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010   $a9786613271792
010   $a1-4411-3583-9
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100   $a20100128d2010      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aAudible signs$b[electronic resource] $eessays from a musical ground /$fby Michael Alec Rose
210   $aNew York $cContinuum$d2010
215   $a1 online resource (193 p.)
300   $aDescription based upon print version of record.
311   $a1-4411-4326-2 
311   $a1-4411-8050-8 
327   $aContents; Preface and Hypothesis; Acknowledgments; A Note on Recordings; 1 An Intimate Iconography of Music; 2 The Redress of Music; 3 Earning Your Song; 4 The Rest of The Rest Is Noise; 5 Daimones; 6 Letting Go; 7 A Letter to My Daughter; Afterword; Suggestions for Further Listening, Viewing, and Reading
330   $aThis is a vivid, expressive, and innovative study of how the great composers in classical and rock music deploy subtle musical signs in ingenious ways. Whether it's a song by Brahms or by the Boss, a serenade by Mozart or a ballet by John Harbison, music radiates a diverse spectrum of meaningful signs, hidden in plain hearing. To enjoy the interplay of musical signs, it helps to recognize them in the first place. The various iconographic strategies of Audible Signs - including commentary on graphic works, books, poems, and film - yield new appreciations and critiques of composers of vastly div
606   $aMusic$xPhilosophy and aesthetics
606   $aEssays
608   $aElectronic books.
615  0$aMusic$xPhilosophy and aesthetics.
615  0$aEssays.
676   $a781.1/7
700   $aRose$b Michael Alec$f1959-$0896350
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910456814203321
996   $aAudible signs$92002505
997   $aUNINA