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101 0 $aeng
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181   $ctxt
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183   $acr
200 10$aDerek Jarman's angelic conversations$b[electronic resource] /$fJim Ellis
210   $aMinneapolis $cUniversity of Minnesota Press$d2009
215   $a1 online resource (328 p.)
300   $aDescription based upon print version of record.
311   $a0-8166-5313-5 
311   $a0-8166-5312-7 
320   $aIncludes bibliographical references and index.
327   $aIntroduction: getting history wrong -- Artistic and sexual revolutions. Situationism and other avant-gardes ; The gay liberation front -- Liberation, space, and the early films. Reconfiguring "home" in the super-8s ; Gay liberation theology in Sebastiane -- The Elizabethan future. Jubilee and the punk nation ; Punk heritage in The tempest -- The Caravaggio years. Imagining change : Imagining October ; Homoerotic countermythologies in The angelic conversation ; Caravaggio : gay history and the scripts ; Caravaggio and the art of the past -- Thatcherism, AIDS, and war. The last of England and the landscape of loss ; War requiem and the army of lovers -- Time and the garden. The garden at Prospect Cottage ; Gardening history in Modern nature ; Histories of the fall in The garden -- Blindness and insight. Edward II : queer Gothic ; Wittgenstein and the queer life ; Queer vision in Blue -- Coda : the raft of the Medusa.
330   $aBest known as an iconoclastic, wildly inventive filmmaker, Derek Jarman was also an accomplished author, painter, and landscape artist. In Derek Jarman's Angelic Conversations, Jim Ellis considers Jarman's wide-ranging oeuvre to present a broad perspective on the career and life of one of the most provocative, engaged, and important artists of the twentieth century.
606   $aMotion picture producers and directors$xCriticism and interpretation
608   $aElectronic books.
615  0$aMotion picture producers and directors$xCriticism and interpretation.
676   $a791.43023
700   $aEllis$b Jim$f1964-$0954132
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906   $aBOOK
912   $a9910456802103321
996   $aDerek Jarman's angelic conversations$92157705
997   $aUNINA