LEADER 03851nam 2200637 a 450 001 9910456780703321 005 20200520144314.0 010 $a1-282-35979-7 010 $a9786612359798 010 $a0-520-93752-X 024 7 $a10.1525/9780520937529 035 $a(CKB)2430000000010905 035 $a(EBL)837290 035 $a(OCoLC)773565049 035 $a(SSID)ssj0000309051 035 $a(PQKBManifestationID)11259958 035 $a(PQKBTitleCode)TC0000309051 035 $a(PQKBWorkID)10266298 035 $a(PQKB)11256807 035 $a(MiAaPQ)EBC837290 035 $a(OCoLC)607072489 035 $a(MdBmJHUP)muse30406 035 $a(DE-B1597)518837 035 $a(OCoLC)1114909630 035 $a(DE-B1597)9780520937529 035 $a(Au-PeEL)EBL837290 035 $a(CaPaEBR)ebr10676178 035 $a(CaONFJC)MIL235979 035 $a(EXLCZ)992430000000010905 100 $a20030318d2004 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aScreenwriting for a global market$b[electronic resource] $eselling your scripts from Hollywood to Hong Kong /$fAndrew Horton ; foreword by Bernard Gordon 210 $aBerkeley $cUniversity of California Press$d2004 215 $a1 online resource (229 p.) 300 $aDescription based upon print version of record. 311 $a0-520-24021-9 311 $a0-520-23270-4 320 $aIncludes bibliographical references and index. 327 $apt. 1. around the world in eighty ways -- pt. 2. A carnival of worldwide screenwriters. 330 $aCinema is a truly global phenomenon and screenwriters who limit their ambitions to Hollywood can unnecessarily limit their careers. This book, loaded with information on every page, provides the practical know-how for breaking into the global marketplace. It is the first book to offer specific advice on writing for screens large and small, around the world from Hollywood to New Zealand, from Europe to Russia, and for alternative American markets including Native American, regional, and experimental. The book provides valuable insider information, such as * Twenty-five percent of German television is written by Hollywood writers. Screenwriters just need to know how to reach that market. * Many countries, including those in the European Union, have script development money available-to both foreign and local talent--from government-sponsored film funds. * The Web's influence on the film industry has been profound, and here you can find out how to network through the Web. The book also lists the key Web addresses for writers. Andrew Horton, author of two acclaimed books on screenwriting, includes personal essays by accomplished screenwriters from around the world and offers insightful case studies of several films and television scripts, among them My Big Fat Greek Wedding; Crouching Tiger, Hidden Dragon; and The Sopranos. Full of endless enthusiasm for great films and great scripts, this book will be an essential resource for both aspiring writers and accomplished writers hoping to expand their horizons, improve their skills, and increase their chances for success.Includes an interview with Terry Gilliam and contributions from Bernard Gordon, writer for The Day of the Triffids and The Thin Red Line; Lew Hunter, Chair of Screenwriting at UCLA; Karen Hall, writer/producer for Judging Amy and M*A*S*H; and other screenwriters 606 $aMotion picture authorship 608 $aElectronic books. 615 0$aMotion picture authorship. 676 $a808/.066791 700 $aHorton$b Andrew$0564671 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456780703321 996 $aScreenwriting for a global market$9954866 997 $aUNINA