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200 10$aResidential patterns of Arab Americans$b[electronic resource] $erace, ethnicity and spatial assimilation /$fJennifer Leila Holsinger
210   $aEl Paso $cLFB Scholarly Pub.$d2009
215   $a1 online resource (210 p.) 
225 1 $aThe new Americans
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a1-59332-346-8 
320   $aIncludes bibliographical references and index.
410  0$aNew Americans (LFB Scholarly Publishing LLC)
606   $aArab Americans$xSocial conditions
608   $aElectronic books.
615  0$aArab Americans$xSocial conditions.
676   $a305.892/7
700   $aHolsinger$b Jennifer Leila$0876273
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LEADER 02467nam  22005531  450 
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200 10$aRedefining Hungarian music from Liszt to Barto?k /$fLynn M. Hooker
210  1$aNew York :$cOxford University Press,$d2014.
215   $a1 online resource (321 p.)
300   $aDescription based upon print version of record.
311   $a0-19-973959-5 
311   $a0-19-936946-1 
320   $aIncludes bibliographical references and index.
327   $aRhapsody on Hungarian themes : the development of Hungarian art and music in historical context from the reform era to World War I -- The Liszt centennial and Liszt's legacy in Hungarian musical life -- From gypsies to peasants : race, nation, and modernity -- Writing Hungarian music : genre, motive, spirit -- Cosmopolitan nationalist modernism : promoting and composing modern Hungarian music.
330 8 $aSome of the most popular works of 19th-century music were labelled either 'Hungarian' or 'Gypsy' in style, including many of the best-known and least-respected of Liszt's compositions. In the early 20th century, Bela Bartok and his colleagues questioned not only the Hungarianness but also the good taste of that style. Bartok argued that it should be discarded in favour of a national style based in the 'genuine' folk music of the rural peasantry.
606   $aMusic$zHungary$xHistory and criticism
606   $aNationalism in music
607   $aHungary$xCivilization
615  0$aMusic$xHistory and criticism.
615  0$aNationalism in music.
676   $a780.9439
700   $aHooker$b Lynn M$01529817
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