LEADER 03887nam 2200697 a 450 001 9910456671303321 005 20200520144314.0 010 $a0-8014-6355-6 024 7 $a10.7591/9780801463556 035 $a(CKB)2550000000035353 035 $a(OCoLC)732957082 035 $a(CaPaEBR)ebrary10467998 035 $a(SSID)ssj0000540318 035 $a(PQKBManifestationID)11324635 035 $a(PQKBTitleCode)TC0000540318 035 $a(PQKBWorkID)10581955 035 $a(PQKB)10953617 035 $a(MiAaPQ)EBC3138119 035 $a(MdBmJHUP)muse28971 035 $a(DE-B1597)515350 035 $a(OCoLC)1083595436 035 $a(DE-B1597)9780801463556 035 $a(Au-PeEL)EBL3138119 035 $a(CaPaEBR)ebr10467998 035 $a(EXLCZ)992550000000035353 100 $a20070209d2007 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPretty creatures$b[electronic resource] $echildren and fiction in the English Renaissance /$fMichael Witmore 210 $aIthaca $cCornell University Press$d2007 215 $a1 online resource (245 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8014-4399-7 320 $aIncludes bibliographical references and index. 327 $aUt pueritas poesis : the child and fiction in the English Renaissance -- Animated children in Elizabeth's coronation pageant of 1559 -- Phatic metadrama and the touch of irony in English children's theater -- Mamillius, The winter's tale, and the impetus of fiction -- The lies children tell : counterfeiting victims and witnesses in early modern English witchcraft trials and possessions. 330 $aChildren had surprisingly central roles in many of the public performances of the English Renaissance, whether in entertainments-civic pageants, children's theaters, Shakespearean drama-or in more grim religious and legal settings, as when children were "possessed by demons" or testified as witnesses in witchcraft trials. Taken together, such spectacles made repeated connections between child performers as children and the mimetic powers of fiction in general. In Pretty Creatures, Michael Witmore examines the ways in which children, with their proverbial capacity for spontaneous imitation and their imaginative absorption, came to exemplify the virtues and powers of fiction during this era.As much concerned with Renaissance poetics as with children's roles in public spectacles of the period, Pretty Creatures attempts to bring the antics of children-and the rich commentary these antics provoked-into the mainstream of Renaissance studies, performance studies, and studies of reformation culture in England. As such, it represents an alternative history of the concept of mimesis in the period, one that is built from the ground up through reflections on the actual performances of what was arguably nature's greatest mimic: the child. 606 $aEnglish literature$yEarly modern, 1500-1700$xHistory and criticism 606 $aChildren in literature 606 $aTheater and children$zEngland$xHistory$y16th century 606 $aTheater and children$zEngland$xHistory$y17th century 606 $aChildren$zEngland$xHistory$y16th century 606 $aChildren$zEngland$xHistory$y17th century 608 $aElectronic books. 615 0$aEnglish literature$xHistory and criticism. 615 0$aChildren in literature. 615 0$aTheater and children$xHistory 615 0$aTheater and children$xHistory 615 0$aChildren$xHistory 615 0$aChildren$xHistory 676 $a820.9/28209031 700 $aWitmore$b Michael$0882520 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456671303321 996 $aPretty creatures$92478087 997 $aUNINA