LEADER 03616nam 2200577Ia 450 001 9910456626603321 005 20200520144314.0 010 $a0-8166-6806-X 035 $a(CKB)2550000000005139 035 $a(EBL)471771 035 $a(OCoLC)527756110 035 $a(SSID)ssj0000337987 035 $a(PQKBManifestationID)11276883 035 $a(PQKBTitleCode)TC0000337987 035 $a(PQKBWorkID)10293876 035 $a(PQKB)11562316 035 $a(MiAaPQ)EBC471771 035 $a(MdBmJHUP)muse39223 035 $a(Au-PeEL)EBL471771 035 $a(CaPaEBR)ebr10353996 035 $a(CaONFJC)MIL523272 035 $a(EXLCZ)992550000000005139 100 $a20090210d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFurther on, nothing$b[electronic resource] $eTadeusz Kantor's theatre /$fMichal Kobialka 210 $aUniversity of Minnesota Press $cMinneapolis$d2009 215 $a1 online resource (551 p.) 300 $aDescription based upon print version of record. 311 $a0-8166-5481-6 311 $a0-8166-5480-8 320 $aIncludes bibliographical references. 327 $aMy work-my journey (1988) -- Topography of representation. Independent theatre : theoretical essays (1942-1944) -- After the war : a night notebook or metamorphoses (1947-1948) -- Cricot 2 Theatre (about 1963) -- Reality of the lowest rank (1980) -- The autonomous theatre (1956/1963) -- The litany of the informel art (1955) -- The informel : terms and definitions -- The informel theatre (1961) -- The zero theatre (1963) -- The emballage (1957-1965) -- The "i" theatre (about 1969) -- The impossible theatre (1969-1973) -- 1955-1974 -- Spatial historiography: The dead class. A classroom (1971 or 1972) -- The theatre of death (1975) -- The dead class : selections from the Partytura (1974) -- Theatre of similitude. Theatrical place (1970s-1980s) -- The room : maybe a new phase (1980) -- Etudes-sketches of a scenario -- "The last supper" sequence of rehearsals -- Prison (1985) -- Reflection (1985) -- To save from oblivion (March 1988) -- The real "I" (1988) -- Illusion -- Illusion and repetition -- My meetings with death (1987) -- Memory (1988) -- Spatial historiography: Silent night. A short history of my life -- Silent night (Cricotage) (1990) -- Silent night-Partytura (Cricotage) (1990) -- The space of khora. My room (1990) -- A painting (1990) -- From the beginning my credo was-- (1990). 330 $aTadeusz Kantor (1915-1990) was one of the twentieth century's most innovative visual artists, stage directors, and theoreticians. His theatre productions and manifestos challenged the conventions of creating art in post-World War II culture and expanded the boundaries of Dada, surrealist, Constructivist, and happening theatre forms. Kantor's most widely known productions-The Dead Class (1975), Wielopole, Wielopole (1980), Let the Artists Die (1985), and Today Is My Birthday (1990)-have had a profound impact on playwrights and artists who continue today to engage with his radical theatre.In Fur 606 $aTheatrical producers and directors$zPoland$vBiography 606 $aExperimental theater$zPoland 608 $aElectronic books. 615 0$aTheatrical producers and directors 615 0$aExperimental theater 676 $a792.02/33092 700 $aKobialka$b Michal$0914969 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456626603321 996 $aFurther on, nothing$92050302 997 $aUNINA