LEADER 05074nam 2200565 a 450 001 9910456590203321 005 20200520144314.0 010 $a0-8135-4823-3 010 $a9780831548234 035 $a(CKB)2520000000007911 035 $a(SSID)ssj0000484336 035 $a(PQKBManifestationID)11344105 035 $a(PQKBTitleCode)TC0000484336 035 $a(PQKBWorkID)10588084 035 $a(PQKB)11241972 035 $a(MiAaPQ)EBC3032152 035 $a(Au-PeEL)EBL3032152 035 $a(CaPaEBR)ebr10367306 035 $a(OCoLC)647880121 035 $a(EXLCZ)992520000000007911 100 $a20090220d2009 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aFeminisms redux$b[electronic resource] $ean anthology of literary theory and criticism /$fedited by Robyn Warhol-Down and Diane Price Herndl 210 $aNew Brunswick, N.J. $cRutgers University Press$dc2009 215 $axviii, 542 p. $cill 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8135-4619-2 320 $aIncludes bibliographical references and index. 327 $a"Infection in the sentence : the woman writer and the anxiety of authorship" from The madwoman in the attic: the woman writer and the nineteenth-century literary imagination (1979) / Sandra M. Gilbert and Susan Gubar -- "Dancing through the minefield : some observations on the theory, practice, and politics of a feminist literary criticism" (1980) / Annette Kolodny -- "What has never been : an overview of lesbian feminist literary criticism" (1981) / Bonnie Zimmerman -- "Aesthetics" from How to suppress women's writing (1983) / Joanna Russ -- "Caste, class, and canon" (1981/1987) / Paul Lauter -- "A criticism of our own : autonomy and assimilation in Afro-American and feminist literary theory" (1989) / Elaine Showalter -- "Introduction" from Gender in African women's writing : identity, sexuality, difference (1997) / Juliana Makuchi Nfah-Abbenyi -- "Introduction : on the politics of literature" from The resisting reader : a feminist approach to American fiction (1978) / Judith Fetterley -- "The father's seduction" from The daughter's seduction: feminism and psychoanalysis (1982) / Jane Gallop -- "Constructing the subject : deconstructing the text (1985) / Catherine Belsey -- "Introduction" from Between men: English literature and male homosocial desire (1985) / Eve Kosofsky Sedgwick -- "Gender assymetry and erotic triangles" from Between men: English literature and male homosocial desire (1985) / Eve Kosofsky Sedgwick -- "Apostrophe, animation, and abortion" (1986) / Barbara Johnson -- "Feminist politics : what's home got to do with it?" (1986) / Biddy Martin and Chandra Talpade Mohanty -- "The highs and lows of Black feminist criticism" (1990) / Barbara Christian -- "Two girls, fat and thin" (2002) / Lauren Berlant -- "Kochinnenako in academe : three approaches to interpreting a Keres Indian tale" fram The sacred hoop: recovering the feminine in American Indian traditions (1986) / Paula Gunn Allen -- "La conciencia de la mestiza : towards a new consciousness" from Borderlands/La frontera: the new mestiza (1987) / Gloria Anzaldu?a -- "Me and my shadow" (1989) / Jane Tompkins -- "The long goodbye : against personal testimony, or, An infant grifter grows up" (1992) / Linda S. Kauffman -- "Feminist and ethnic theories in Asian American literature" (1993) / Shirley Geok-Lin Lim -- "Four women's texts and a critique of imperialism" from A critique of postcolonial reason: toward a history of the vanishing present (1999) / Gayatri Chakravorty Spivak -- "Introduction" from En-gendering India: woman and nation in colonial and postcolonial narratives (2000) / Sangeeta Ray -- "The laugh of the Medusa" (1975) / He?le?ne Cixous -- "Visual pleasure and narrative cinema" (1975) / Laura Mulvey -- "Mama's baby, papa's maybe : an American grammar book" (1987) / Hortense J. Spillers -- "Bodily inscriptions, performative subversions" from Gender trouble: feminism and the subversion of identity (1999) / Judith Butler -- "Reconstructing the posthuman feminist body twenty years after Audre Lorde's Cancer journals (2002) / Diane Price Herndl -- "Integrating disability, transforming feminist theory" (2002) / Rosemarie Garland-Thomson -- "The cringe : marriage plots, effeminacy, and feminist ambivalence" from Having a good cry: effeminate feelings and pop-culture forms (2003) / Robyn Warhol. 606 $aFeminist literary criticism 606 $aFeminism and literature 606 $aWomen and literature 608 $aElectronic books. 615 0$aFeminist literary criticism. 615 0$aFeminism and literature. 615 0$aWomen and literature. 676 $a801/.95082 701 $aWarhol-Down$b Robyn$0552738 701 $aPrice Herndl$b Diane$f1959-$01048056 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456590203321 996 $aFeminisms redux$92476047 997 $aUNINA LEADER 03193oam 22007214a 450 001 9910404147303321 005 20230621135928.0 010 $a9781641891455 010 $a1641891459 010 $a9781641891462 010 $a1641891467 024 7 $a10.1515/9781641891462 035 $a(CKB)4100000011248601 035 $a(OCoLC)1159724906 035 $a(MdBmJHUP)muse84259 035 $a(DE-B1597)546201 035 $a(DE-B1597)9781641891462 035 $a(OCoLC)1153517337 035 $a(MiAaPQ)EBC6637432 035 $a(Au-PeEL)EBL6637432 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/26445 035 $a(Perlego)1458774 035 $a(oapen)doab26445 035 $a(EXLCZ)994100000011248601 100 $a20200619d2020 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMedieval Women, Material Culture, and Power$eMatilda Plantagenet and her Sisters /$fby Jitske Jasperse 205 $a1st ed. 210 $cArc Humanities Press$d2020 210 1$aBaltimore, Maryland :$cProject Muse,$d2020 210 4$dİ2020 215 $a1 online resource (x, 134 pages) $cillustrations, maps 225 0 $aGender and power in the premodern world 320 $aIncludes bibliographical references and index. 327 $aIntroduction : material culture and performance of power -- Staging the bride and her treasure -- Small items making big impressions : coins and seals -- Devotion and dynasty on parchment -- Trappings vested with power -- Epilogue : materializing power and its afterlife. 330 $aThis book argues that the impressive range of belongings that can be connected to Duchess Matilda Plantagenet-textiles, illuminated manuscripts, coins, chronicles, charters, and literary texts-allows us to perceive elite women's performance of power, even when they are largely absent from the official documentary record. 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