LEADER 03177nam 2200613Ia 450 001 9910456589103321 005 20200520144314.0 010 $a1-282-48047-2 010 $a9786612480478 010 $a0-8108-7287-0 035 $a(CKB)2520000000007877 035 $a(EBL)480059 035 $a(OCoLC)647849392 035 $a(SSID)ssj0000415262 035 $a(PQKBManifestationID)12182376 035 $a(PQKBTitleCode)TC0000415262 035 $a(PQKBWorkID)10410684 035 $a(PQKB)10861572 035 $a(MiAaPQ)EBC480059 035 $a(Au-PeEL)EBL480059 035 $a(CaPaEBR)ebr10361344 035 $a(CaONFJC)MIL248047 035 $a(EXLCZ)992520000000007877 100 $a20090902d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCultural codes$b[electronic resource] $emakings of a Black music philosophy : an interpretive history from spirituals to hip hop /$fWilliam C. Banfield 210 $aLanham, Md. $cScarecrow Press$d2010 215 $a1 online resource (255 p.) 225 1 $aAfrican American cultural theory and heritage 300 $aDescription based upon print version of record. 311 $a0-8108-7286-2 320 $aIncludes bibliographical references and index. 327 $aContents; Preface; Acknowledgments; Part I. A CULTURAL CHARGE; Ch01. Black Notes and Cultural Codes:Makings of a Black Music Philosophy; Ch02. A New Black Music Arts Aesthetic; Ch03. A History of Aesthetic Definitions; Ch04. Hip to the Hop; Part II. BUILDING A BLACKMUSIC PHILOSOPHY; Ch05. A Cultural Education; Ch06. Black Music Studies; Part III. MAPPING BLACK MUSIC,HISTORY, MEANING,CODES, AND ARTISTRY; Ch07. African Roots toBlues, New Orleans, and Ragtime; Photospread; Ch08. Jazz: The NewModern Mode of Being; Ch09. Race Records, Gospel,R&B, and Urban Blues 327 $aCh10. Urban Contemporary:Soul, Funk, and GlobalCh11. Hip Hop: Connecting the Dots; Part IV. CODA: CLOSING THEMES; Ch12. Core Values and the Black Aesthetic Code; Appendix: Recommended Music and Songs; Notes; Index; About the Author 330 $aBy providing a focused examination of the historical development of Black music artistry, William C. Banfield formulates a usable philosophy tied to how such music is made, shaped, and functions. He explores Black music culture from three angles: history, education, and the creative work of the musicians-engaging the reader in a conversation about the aesthetics and meanings that inform the cultural codes of Black music. 410 0$aAfrican American cultural theory and heritage. 606 $aAfrican Americans$xMusic$xHistory and criticism 606 $aPopular music$zUnited States$xHistory and criticism 608 $aElectronic books. 615 0$aAfrican Americans$xMusic$xHistory and criticism. 615 0$aPopular music$xHistory and criticism. 676 $a780.89/96073 700 $aBanfield$b William C.$f1961-$0954455 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456589103321 996 $aCultural codes$92158736 997 $aUNINA