LEADER 06703nam 2200601 450 001 9910461004703321 005 20210916143010.0 010 $a9780205461004 (paperback) 010 $a1-315-66271-X 010 $a1-317-34393-X 035 $a(CKB)3710000000499908 035 $a(EBL)4085522 035 $a(SSID)ssj0001571299 035 $a(PQKBManifestationID)16218820 035 $a(PQKBTitleCode)TC0001571299 035 $a(PQKBWorkID)12487565 035 $a(PQKB)10624497 035 $a(MiAaPQ)EBC4185876 035 $a(CaSebORM)9781317343936 035 $a(EXLCZ)993710000000499908 100 $a20151118h20162011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aStage lighting $efundamentals and applications /$fRichard Dunham 205 $a1st edition 210 1$aLondon, [England] ;$aNew York, New York :$cRoutledge,$d2016. 210 4$dİ2011 215 $a1 online resource (661 p.) 300 $aDescription based upon print version of record. 311 $a0-205-46100-X 320 $aIncludes bibliographical references and index. 327 $aCover; Title Page; Copyright Page; Table of Contents; Preface; Part One Light: The Medium; 1 The Nature of Light; What Is Light?; The Electromagnetic Spectrum; The Visible Spectrum; Illuminance and Luminance-Five Metrics; Luminous Flux; Illuminance; Luminous Intensity; Luminance; Luminous Exitance; The Eye and Seeing; Physiology of the Eye; The Controllable Qualities of Light; Intensity; Distribution; Color; Movement; Sidebar 1.1 Designer Profile; Functions of Lighting; Visibility; Establishing a Scene; Modeling; Mood; Focus; Composition; Style; Staging the Story; Rhythm; For Further Reading 327 $a2 Light and PerceptionVisibility; Intensity or Brightness; Relative Intensity; Psychological Responses; Intensity Related Issues; Mood Alteration; Overstimulation; Glare; Color Perception; Adaptation; Defining Form and Shape; Front Light; Sidelight; Downlight and Backlight; Sidebar 2.1 Designer Profile; Key and Fill; Silhouettes and Grazing; Shape; Composition; Movement and Light; Cues and Transitions; For Further Reading; 3 Color and Its Effects; What is Color?; The Visible Spectrum; Primary Colors; CIE Chromaticity Chart; Color Temperature; Color Rendering; Additive and Subtractive Mixing 327 $aAdditive MixingSubtractive Mixing; Filtering Light; Color Media; Plastic Media; Glass Media; Sidebar 3.1 Spectral Analysis of Gel; Dichroic Filters; Diffusion; Creating Color Through Light; Color Prediction; Red Shift/Amber Drift; Complementary Tint System; Psychological Effects of Color; Color Contrast; Adaptation and Afterimages; Practical Use of Color; Sidebar 3.2 Designer Considerations for Color and Light; Sidebar 3.3 Designer Profile; For Further Reading; Part Two Light: The Tools; 4 The Practitioners; Theatrical and Live Performance Production; Design Professionals 327 $aSidebar 4.1 Designer ProfileTheatrical Crews; Film and Video; Design Professionals; Production Crews; Architectural Lighting; Unions and Certifications; Professional Organizations and Societies; For Further Reading; 5 Electricity; Basics of Electricity; Atomic Theory; Electrical Potential; Grounding; Fundamental Circuits; Conductors and Insulators; Series Circuits; Parallel Circuits; Units of Measurement and Essential Formulas; Units of Measure; Power Formula and Ohm's Law; Sidebar 5.1 Determination of Lamp Load; Direct Current Versus Alternating Current; Direct Current (DC) 327 $aAC Power GenerationTransformers; Power Distribution; Electrical Services; Electrical Hardware; Wire; Cables; Circuit Protection; Switches; Dimmers; Company Switches and Distribution Panels; Commercial Distribution; Theatrical Distribution; Sidebar 5.2 Electrical Safety; For Further Reading; 6 Lamps and Other Light Sources; Lumens and Lamp Life; Lamps And Color; Incandescent Lamps; Filaments; Bulbs; Bases; Tungsten-Halogen or Quartz Lamps; Sidebar 6.1 Light Center Length (LCL); Arc Light Sources; Limelight; Carbon-Arc; Short-Arc and High Intensity Discharge (HID) Lamps; Short-Arc Lamps 327 $aHigh-Intensity Discharge (HID) Lamps 330 $aThe book?s organization follows a layered approach that builds on basic principles: Light as a Medium (Part 1), Tools of a Lighting Designer (Part 2), Design Fundamentals (Part 3), and Lighting Applications (Part 4). This presents students with a practical and logical sequence when learning basic concepts. The full spectrum of the lighting design process is presented in detail, giving students an example of how one might develop a lighting design from script analysis through concept and plot development, and all the way to an opening. This detailed process with a step-by-step design approach gives students a plan to work from, which they can later modify as they mature and gain confidence as designers. The text contains a more comprehensive discussion of basic technology, light as a physical phenomena, and methodology of designs than is found in most introductory texts, bridging the gap between introductory and advanced lighting courses. The text will appeal to theatrical designers who want to venture into areas of lighting like architectural or virtual lighting design, while at the same time gaining a solid grounding in the fundmentals of lighting design. Lighting Design will also benefit illuminating engineers who want to move away from mere computational approaches in lighting and on to explore techniques along the design approaches of theatrical lighting design. The final 9 chapters cover many specialty areas of lighting design,  highlighting the unique and shared qualities that exist between the different aspects of these elements. Discussions involve traditional entertainment areas like theatre, as well as lesser known facets of the industry including film/video, landscape lighting, retail/museum lighting, virtual lighting, concert, spectacle performances, and architectural lighting. Models of design tasks demonstrate the actual use and development of plots/sections, schedules, photometrics tables, and cut sheets, rather than simply talking about what they are. This hands-on approach provides students with a firm understanding of how to actually use these tools and processes. 606 $aStage lighting 608 $aElectronic books. 615 0$aStage lighting. 676 $a792.02/5 700 $aDunham$b Richard$01030822 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910461004703321 996 $aStage lighting$92447914 997 $aUNINA LEADER 02120nam 2200553Ia 450 001 9910456571803321 005 20200520144314.0 010 $a0-8018-9592-8 035 $a(CKB)2520000000007583 035 $a(OCoLC)647868461 035 $a(CaPaEBR)ebrary10363259 035 $a(MiAaPQ)EBC3318500 035 $a(MdBmJHUP)muse2686 035 $a(Au-PeEL)EBL3318500 035 $a(CaPaEBR)ebr10363259 035 $a(OCoLC)923195183 035 $a(EXLCZ)992520000000007583 100 $a20050114d2005 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFreedom reclaimed$b[electronic resource] $erediscovering the American vision /$fJohn E. Schwarz 210 $aBaltimore ;$aLondon $cJohns Hopkins University Press$d2005 215 $a1 online resource (260 p.) 311 $a0-8018-8762-3 320 $aIncludes bibliographical references and index. 327 $aThe failure of free-market liberty -- Freedom and the promise of economic opportunity -- Freedom, economic opportunity, and social policy: I -- Freedom, economic opportunity, and social policy: II -- Freedom and our protection from wrongful harm -- Overcoming market failures -- Growth and waste in government -- Societal decisions and individual liberty -- Taking freedom seriously -- Rediscovering America's vision. 606 $aFree enterprise$xMoral and ethical aspects 606 $aFree enterprise$xPolitical aspects$zUnited States 606 $aLiberty 606 $aSelf-interest$zUnited States 606 $aSocial ethics$zUnited States 608 $aElectronic books. 615 0$aFree enterprise$xMoral and ethical aspects. 615 0$aFree enterprise$xPolitical aspects 615 0$aLiberty. 615 0$aSelf-interest 615 0$aSocial ethics 676 $a323.44/0973 700 $aSchwarz$b John E$042736 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456571803321 996 $aFreedom reclaimed$92457567 997 $aUNINA