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200 10$aTech-noir film$b[electronic resource] $ea theory of the development of popular genres /$fEmily E. Auger
210   $aBristol $cIntellect$d2011
215   $a1 online resource (498 p.)
300   $aIncludes filmography.
311   $a1-84150-424-6 
320   $aIncludes bibliographical references and indexes.
327   $aFront Cover; Preliminary Pages; Contents; Foreword by Gary Hoppenstand; Preface; Introduction; Chapter 1: Method and Models; Chapter 2: The Promethean Message; Chapter 3: Tech-Noir; Appendix 1: Charts; Appendix 2: Tech-Noir Films by Date; Appendix 3: Tech-Noir Films by Type; Bibliography; Filmography; Index 1: Film Titles; Index 2: Film Motifs; Back Cover
330   $aFrom the post-apocalyptic world of Blade Runner to the James Cameron mega-hit Terminator, tech-noir has emerged as a distinct genre, with roots in both the Promethean myth and the earlier popular traditions of gothic, detective, and science fiction. In this new volume, many well-known film and literary works - including The Matrix, RoboCop, and Mary Shelley's Frankenstein -are discussed with reference to their relationship to tech-noir and one another. Featuring an extensive, clearly indexed filmography, Tech-Noir Film will be of great interest to anyone wishing to learn more about the develop
606   $aFilm noir$xHistory and criticism
606   $aFilm genres
608   $aElectronic books.
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615  0$aFilm genres.
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