LEADER 03306nam 2200613 450 001 9910456559703321 005 20200520144314.0 010 $a1-282-04534-2 010 $a9786612045349 010 $a1-4426-7280-3 024 7 $a10.3138/9781442672802 035 $a(CKB)2430000000001620 035 $a(EBL)3255399 035 $a(CaBNvSL)thg00600808 035 $a(MiAaPQ)EBC3255399 035 $a(MiAaPQ)EBC4671330 035 $a(DE-B1597)464306 035 $a(OCoLC)944178352 035 $a(DE-B1597)9781442672802 035 $a(Au-PeEL)EBL4671330 035 $a(CaPaEBR)ebr11257047 035 $a(OCoLC)958564983 035 $a(EXLCZ)992430000000001620 100 $a20160926h19981998 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aChallenging racism in the arts $ecase studies of controversy and conflict /$fCarol Tator, Frances Henry, Winston Mattis 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d1998. 210 4$dİ1998 215 $a1 online resource (302 p.) 300 $aDescription based upon print version of record. 311 $a0-8020-7170-8 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tIntroduction -- $t1. Theoretical Perspectives -- $t2. Into the Heart of Africa -- $t3. The Barnes Collection -- $t4. The Writing Thru Race Conference -- $t5. The Black/Dance Music Station -- $t6. Miss Saigon -- $t7. Show Boat -- $t8. Revisiting Central Themes and Tensions -- $t9. Concluding Reflections -- $tGlossary -- $tReferences -- $tIndex 330 $aIn this thoughtful and lucid analysis, framed by their contention that 'cultural production is one way in which society gives voice to racism,' Carol Tator, Frances Henry, and Winston Matthis examine how six controversial Canadian cultural events have given rise to a new 'radical' or 'critical' multiculturalism.Mainstream culture has increasingly become the locus for challenge by racial minorities. Beginning with the Royal Ontario Museum's Into the Heart of Africa exhibition, and following through with discussions of Show Boat, Miss Saigon, the exhibition of the Barnes Collection at the Art Gallery of Ontario, the 'Writing Thru Race' conference in Vancouver, and the ill-fated attempts to acquire a licence for a black/dance radio station in Toronto, the authors examine manifestations of racism in Canada's cultural production over the last decade. A 'radical' multiculturalism, they argue, is difference as a politicized force, and arises whenever cultural imperialism is challenged. 606 $aRacism and the arts$zOntario$zToronto$vCase studies 606 $aArts, Canadian$zOntario$zToronto$y20th century$vCase studies 608 $aElectronic books. 615 0$aRacism and the arts 615 0$aArts, Canadian 676 $a700.103 700 $aTator$b Carol$01046597 702 $aHenry$b Frances$f1931- 702 $aMattis$b Winston 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456559703321 996 $aChallenging racism in the arts$92480303 997 $aUNINA