LEADER 03677nam 2200709 450 001 9910456559003321 005 20200520144314.0 010 $a9786612037115 010 $a1-282-03711-0 010 $a1-4426-7094-0 024 7 $a10.3138/9781442670945 035 $a(CKB)2430000000001343 035 $a(OCoLC)666917797 035 $a(CaPaEBR)ebrary10219226 035 $a(SSID)ssj0000289082 035 $a(PQKBManifestationID)11232488 035 $a(PQKBTitleCode)TC0000289082 035 $a(PQKBWorkID)10383683 035 $a(PQKB)10727313 035 $a(CaBNvSL)thg00600598 035 $a(MiAaPQ)EBC3255318 035 $a(MiAaPQ)EBC4671193 035 $a(DE-B1597)464183 035 $a(OCoLC)1013947181 035 $a(OCoLC)944178526 035 $a(DE-B1597)9781442670945 035 $a(Au-PeEL)EBL4671193 035 $a(CaPaEBR)ebr11256913 035 $a(EXLCZ)992430000000001343 100 $a20160922h20002000 uy p 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aArchitectonics of imitation in Spenser, Daniel, and Drayton /$fDavid Galbraith 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2000. 210 4$dİ2000 215 $a1 online resource (246 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8020-4451-4 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tONE. The Landscape of Allegory -- $tEngland and Rome in The Faerie Queene -- $tTWO. 'All in amaze': Allegory in Book I of The Faerie Queene -- $tTHREE. Translatio Imperil in Book III of The Faerie Queene -- $tPoetry and History after The Faerie Queene -- $tFOUR. 'Historian in verse': Daniel's Civil Wars -- $tFIVE. 'A true native Muse': Drayton's Poly-Olbion -- $tNotes -- $tBibliography -- $tIndex 330 $aThis ground-breaking study explores the treatment of the boundaries between poetry and history in three epic literary works: Spenser's Faerie Queene, Samuel Daniel's Civil Wars, and Michael Drayton's Poly-Olbion. David Galbraith argues that each of the three national poems enters into a dialogue with classical and more contemporary predecessors and that this relationship has profound implications for understanding the English Renaissance. He explores the importance for each poem of various aspects of the relationship between England and Rome and the significance of the recurring spatial metaphors by which the territories of poetry and history are constituted, negotiated, and traversed. By presenting historically and theoretically inflected readings of the poems, Galbraith gives new interpretation to important problems of allegory and poetic imitation. 606 $aEnglish poetry$yEarly modern, 1500-1700$xHistory and criticism 606 $aLiterature and history$zEngland$xHistory$y16th century 606 $aLiterature and history$zEngland$xHistory$y17th century 606 $aHistorical poetry, English$xHistory and criticism 608 $aElectronic books. 615 0$aEnglish poetry$xHistory and criticism. 615 0$aLiterature and history$xHistory 615 0$aLiterature and history$xHistory 615 0$aHistorical poetry, English$xHistory and criticism. 676 $a821/.03209358 700 $aGalbraith$b David Ian$f1953-$01044026 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456559003321 996 $aArchitectonics of imitation in Spenser, Daniel, and Drayton$92469403 997 $aUNINA