LEADER 04764nam 2200853 450 001 9910456540803321 005 20200520144314.0 010 $a1-4426-8258-2 010 $a9786611991869 024 7 $a10.3138/9781442682580 035 $a(CKB)2430000000002000 035 $a(EBL)3296844 035 $a(OCoLC)923099206 035 $a(SSID)ssj0001403653 035 $a(PQKBManifestationID)12510635 035 $a(PQKBTitleCode)TC0001403653 035 $a(PQKBWorkID)11368030 035 $a(PQKB)10317668 035 $a(SSID)ssj0000311310 035 $a(PQKBManifestationID)11925223 035 $a(PQKBTitleCode)TC0000311310 035 $a(PQKBWorkID)10328464 035 $a(PQKB)11690558 035 $a(CaBNvSL)thg00601094 035 $a(MiAaPQ)EBC3255116 035 $a(MiAaPQ)EBC4672182 035 $a(DE-B1597)465051 035 $a(OCoLC)1013939186 035 $a(OCoLC)944177326 035 $a(DE-B1597)9781442682580 035 $a(Au-PeEL)EBL4672182 035 $a(CaPaEBR)ebr11257860 035 $a(OCoLC)958565489 035 $a(EXLCZ)992430000000002000 100 $a20160923h20062006 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aTheatre of estrangement $etheory, practice, ideology /$fSilvija Jestrovic 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2006. 210 4$dİ2006 215 $a1 online resource (446 p.) 225 1 $aGerman and European Studies 300 $aDescription based upon print version of record. 311 $a0-8020-9068-0 311 $a1-281-99186-4 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tIntroduction -- $t1. The Knight's Move: From Theory to Theatre -- $t2. Some Old Photos: Russian Formalism in Russian Avant-garde Theatre -- $t3. Epic Theatre in the Age of Mechanical Reproduction -- $t4. In the Hands of Angelus Novus: Form and Ideology -- $tAfterword: Retro Estrangement -- $tNotes -- $tSelect Bibliography -- $tIndex -- $tBackmatter 330 $aIn a world flooded with information, images, and sounds ? where the distinction between real and simulated becomes increasingly blurred ? one of the most pressing concerns of the theatre is how to subvert the stock responses of an audience and make the well-known fresh and meaningful again. Situating the practice of theatrical estrangement firmly in its social and political contexts, Theatre of Estrangement looks at how this concern has manifested itself in Russian and German avant-garde theatre.Silvija Jestrovic traces the concept of estrangement from its early formulation in the Russian Formalist School of Literary Criticism embodied in the experiments of the Russian avant-garde, to its so-called apotheosis in the theory and practice of Bertolt Brecht. Drawing from a variety of sources ? theatrical performances, dramatic works, visual art, film, political events, biographical data ? she demonstrates that theatrical estrangement is not only an abstract theoretical postulate, but also a practical artistic strategy shaped by the cultural and historical climate. In the historical avant-garde, Jestrovic argues, estrangement became a way of thinking, a means of comprehending the world, and even a lifestyle. Yet, devices of making the familiar strange are destined to erode in one historical and cultural context and become rediscovered in another to rejuvenate stale art forms and open the door to a fresh and more critical perception of reality. Theatre of Estrangement attempts to make that rediscovery. 410 0$aGerman and European studies. 606 $aExperimental theater$zGermany$xHistory$y20th century 606 $aExperimental theater$zSoviet Union$xHistory$y20th century 606 $aExperimental drama, Russian$y20th century$xHistory and criticism 606 $aExperimental drama, German$y20th century$xHistory and criticism 606 $aTheater$xPolitical aspects$zGermany 606 $aTheater$xPolitical aspects$zSoviet Union 608 $aElectronic books. 615 0$aExperimental theater$xHistory 615 0$aExperimental theater$xHistory 615 0$aExperimental drama, Russian$xHistory and criticism. 615 0$aExperimental drama, German$xHistory and criticism. 615 0$aTheater$xPolitical aspects 615 0$aTheater$xPolitical aspects 676 $a792.022 700 $aJestrovic$b Silvija$f1970-$0973109 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456540803321 996 $aTheatre of estrangement$92487030 997 $aUNINA LEADER 01495nam 2200385 n 450 001 996393338403316 005 20200824121031.0 035 $a(CKB)1000000000685979 035 $a(EEBO)2240866145 035 $a(UnM)99851955e 035 $a(UnM)99851955 035 $a(EXLCZ)991000000000685979 100 $a19920417d1622 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 02$aA deuout exposition, of the holie masse$b[electronic resource] $eVVith an ample declaration of all the rites & ceremonies belonging to the same. Composed, by Iohn Heigham. The more to mooue all godly people, to the greater veneration of so sublime a sacrament 205 $aThe second edition$breuiewed and augmented by the author. 210 $aAt S. Omers $c[By C. Boscard] with licence of the superiors$dAnno Dom. 1622 215 $a[26], 3-360, 360-366, [1] p 300 $aPrinter's name from STC. 300 $aRunning title reads: A deuout exposition, of the holy masse. 300 $aSome print faded. 300 $aReproduction of the original in the Bodleian Library. 330 $aeebo-0014 606 $aLord's Supper$xCatholic Church$vEarly works to 1800 615 0$aLord's Supper$xCatholic Church 700 $aHeigham$b John$ffl. 1639.$01003446 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996393338403316 996 $aA deuout exposition, of the holie masse$92386844 997 $aUNISA