LEADER 03817nam 2200781 450 001 9910456530003321 005 20200520144314.0 010 $a1-4426-5973-4 010 $a1-281-99478-2 010 $a9786611994785 010 $a1-4426-8322-8 024 7 $a10.3138/9781442683228 035 $a(CKB)2430000000001912 035 $a(EBL)4670205 035 $a(SSID)ssj0000312928 035 $a(PQKBManifestationID)11259005 035 $a(PQKBTitleCode)TC0000312928 035 $a(PQKBWorkID)10352592 035 $a(PQKB)10433105 035 $a(CaBNvSL)thg00601005 035 $a(MiAaPQ)EBC3255253 035 $a(MiAaPQ)EBC4672240 035 $a(CEL)417610 035 $a(OCoLC)903441057 035 $a(CaBNVSL)thg00915966 035 $a(MiAaPQ)EBC4670205 035 $a(DE-B1597)465099 035 $a(OCoLC)1013956622 035 $a(OCoLC)944177321 035 $a(DE-B1597)9781442683228 035 $a(Au-PeEL)EBL4672240 035 $a(CaPaEBR)ebr11257914 035 $a(OCoLC)958581357 035 $a(EXLCZ)992430000000001912 100 $a20160922h20042004 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWanton words $erhetoric and sexuality in English Renaissance drama /$fMadhavi Menon 205 $a2nd ed. 210 1$aToronto, [Canada] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2004. 210 4$dİ2004 215 $a1 online resource (466 p.) 311 $a0-8020-7136-8 311 $a0-8020-8837-6 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tForeplay -- $t1. Setting the Stage: Metaphor -- $t2. Performance Anxiety: Metonymy, Richard II, The Roaring Girl -- $t3. First Night: Metalepsis, Romeo and Juliet, All's Well that Ends Well -- $t4. Cast in Order of Appearance: Catachresis, Othello, King John -- $t5. Encore! Allegory, Volpone, The Tempest -- $tAfter Words: Henry VIII and the Ends of History -- $tNotes -- $tBibliography -- $tIndex 330 $aIn Wanton Words, Madhavi Menon intimately and expertly couples classical and Renaissance handbooks of rhetoric with canonical Renaissance plays and demonstrates their shared propensity to speak about sex ? often transgressive sex ? in the same instance that they speak about the workings of language.While other studies of rhetoric have confined their analyses to local questions of interpretive interest, Menon introduces rhetoric into the largely medico-juridical realm of studies on Renaissance sexuality. In doing so, she suggests that rhetoric allows us to think through the erotics of language in ways that pay most attention to the frisson of English Renaissance drama. Sustained deconstructive parsings of tropes ? metaphor, metonymy, allegory, catechresis, and more ? enables their wantonness to emerge in subjects usually considered unrelated to rhetoric: race in Othello, colonialism in The Tempest, tragedy in Romeo and Juliet, and cowardice in The Roaring Girl. 606 $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xHistory and criticism 606 $aSex in literature 606 $aEnglish language$yEarly modern, 1500-1700$xRhetoric 606 $aEnglish drama$y17th century$xHistory and criticism 608 $aElectronic books. 615 0$aEnglish drama$xHistory and criticism. 615 0$aSex in literature. 615 0$aEnglish language$xRhetoric. 615 0$aEnglish drama$xHistory and criticism. 676 $a822/.3093538 700 $aMenon$b Madhavi$0896932 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456530003321 996 $aWanton words$92004153 997 $aUNINA