LEADER 02388nam 2200529 a 450 001 9910456484703321 005 20200520144314.0 010 $a94-012-0056-4 035 $a(CKB)2550000000039447 035 $a(EBL)735589 035 $a(OCoLC)741492997 035 $a(SSID)ssj0000525917 035 $a(PQKBManifestationID)12231294 035 $a(PQKBTitleCode)TC0000525917 035 $a(PQKBWorkID)10508858 035 $a(PQKB)11339939 035 $a(MiAaPQ)EBC735589 035 $a(Au-PeEL)EBL735589 035 $a(CaPaEBR)ebr10483640 035 $a(EXLCZ)992550000000039447 100 $a20110729d2011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aStriding both worlds$b[electronic resource] $ewith Ihimaera and New Zealand's literary traditions /$fMelissa Kennedy 210 $aAmsterdam $cRodopi$d2011 215 $a1 online resource (275 p.) 225 1 $aCross/cultures ;$v134 300 $aDescription based upon print version of record. 311 $a90-420-3357-6 320 $aIncludes bibliographical references and index. 327 $aCover; Title Page; Copyright Page; Table of Contents; Acknowledgements; Introduction: Striding Both Worlds; 1 Maori Nationalism; 2 International Aesthetics; 3 The Local and the Global; 4 Ambivalent Indigeneity; Conclusion: Composite Identity and Literature; Works Cited; Index 330 $aStriding Both Worlds illuminates European influences in the fiction of Witi Ihimaera, Aotearoa New Zealand's foremost Maori writer, in order to question the common interpretation of Maori writing as displaying a distinctive Maori world-view and literary style. Far from being discrete endogenous units, all cultures and literatures arise out of constant interaction, engagement, and even friction. Thus, Maori culture since the 1970's has been shaped by a long history of interaction with colonial British, Pakeha, and other postcolonial and indigenous cultures. Maori sovereignty and renaissance move 410 0$aCross/cultures ;$v134. 608 $aElectronic books. 676 $a823 676 $a823.914 700 $aKennedy$b Melissa$0939934 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456484703321 996 $aStriding both worlds$92177209 997 $aUNINA