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010   $a9786613148063
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100   $a20100910d2011      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 04$aThe machinima reader$b[electronic resource] /$fedited by Henry Lowood and Michael Nitsche
210   $aCambridge, Mass. $cMIT Press$dc2011
215   $a1 online resource (356 p.)
300   $aDescription based upon print version of record.
311   $a0-262-01533-1 
320   $aIncludes bibliographical references and index.
327   $aContents; Introduction; I Reflections; 1 Video Capture; 2 From Game Mod to Low-Budget Film; 3 Arrested Development; II Technology; 4 Toward a Machinima Studio; 5 Image Future; 6 Tangible Narratives; III Performance; 7 Machinima as Media; 8 Encoding Liveness; 9 Machinima: From Art Object to Cultural Practice; 10 Of Games and Gestures; IV Machine Cinema; 11 How Do You Solve a Problem Like Machinima?; 12 Machinimatic Realism; 13 Undefining Machinima; V Pedagogy; 14 Everything I Need to Know about Filmmaking I Learned from Playing Video Games; 15 Machinima and Modding; VI Context
327   $a16 Pink vs. Blue17 Participatory Fan Culture and Half-Life 2 Machinima; 18 Don't Mess with The Warriors; Contributors; Index
330 8 $aThis is a critical overview of the emerging field of machinima the use of computer game engines to create movies.
606   $aMachinima films
606   $aDigital cinematography
608   $aElectronic books.
615  0$aMachinima films.
615  0$aDigital cinematography.
676   $a778.5/3
701   $aLowood$b Henry$01037004
701   $aNitsche$b Michael$f1968-$0983503
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910456483903321
996   $aThe machinima reader$92457668
997   $aUNINA