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005 20200520144314.0
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010   $a9786612039836
010   $a1-4426-7111-4
024 7 $a10.3138/9781442671119
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035   $a(OCoLC)944178451
035   $a(DE-B1597)9781442671119
035   $a(Au-PeEL)EBL4671208
035   $a(CaPaEBR)ebr11256926
035   $a(OCoLC)958571404
035   $a(EXLCZ)992420000000003833
100   $a20160922h19921992  uy             0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aAural images of lost traditions $esharps and flats in the sixteenth century /$fRobert Toft
210  1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d1992.
210  4$dİ1992
215   $a1 online resource (208 p.) 
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a0-8020-5929-5 
320   $aIncludes bibliographical references and indexes.
327   $tFrontmatter -- $tCONTENTS -- $tACKNOWLEDGMENTS -- $tIntroduction -- $t1. Theoretical Framework -- $t2. Pitch-Content in Josquin's Motets -- $t3. The German Custom -- $t4. Traditions of Pitch-Content -- $tConclusion -- $tAPPENDIX -- $tNOTES -- $tGLOSSARY -- $tBIBLIOGRAPHY -- $tLIST OF EXAMPLES -- $tINDEX OF NAMES AND TITLES -- $tGENERAL INDEX 
330   $aThe oral traditions surrounding the application of sharps and flats to 16th century vocal music are documented in relation to theoretical literature, vocal sources, and intabulations of vocal music. Special reference is made to the motets of Josquin Desprez, Clemens non Papa, and Alexander Agricola.
606   $aMusica ficta
606   $aPerformance practice (Music)$xHistory$y16th century
606   $aMusic theory$xHistory$y16th century
606   $aVocal music$y16th century$xHistory and criticism
608   $aElectronic books.
615  0$aMusica ficta.
615  0$aPerformance practice (Music)$xHistory
615  0$aMusic theory$xHistory
615  0$aVocal music$xHistory and criticism.
676   $a782.02/32/0931
700   $aToft$b Robert$0914166
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910456441803321
996   $aAural images of lost traditions$92478124
997   $aUNINA