LEADER 02458nam 22005413u 450 001 9910456399003321 005 20210114013816.0 010 $a9781417508094 010 $a0-520-93653-1 010 $a1-59734-531-8 035 $a(CKB)111090529079554 035 $a(EBL)223042 035 $a(OCoLC)640031407 035 $a(SSID)ssj0000121409 035 $a(PQKBManifestationID)11143216 035 $a(PQKBTitleCode)TC0000121409 035 $a(PQKBWorkID)10115263 035 $a(PQKB)11425177 035 $a(MiAaPQ)EBC223042 035 $a(EXLCZ)99111090529079554 100 $a20130418d2003|||| u|| | 101 0 $aeng 181 $ctxt 182 $cc 183 $acr 200 10$aChina's New Voices$b[electronic resource] $ePopular Music, Ethnicity, Gender, and Politics, 1978-1997 210 $aBerkeley $cUniversity of California Press$d2003 215 $a1 online resource (349 p.) 300 $aDescription based upon print version of record. 311 $a0-520-23449-9 327 $aList of Illustrations; Preface; Acknowledgments; Introduction; 1. China Diversified: An Overview of Popular Music in the Reform Era, 1978 -1997; 2. The Negotiation of Minority/ Majority Identities and Representation in Popular Music Culture; 3. Negotiating Gender in Post-Revolutionary Popular Music Culture: Reconstructing Manhood, Womanhood, and Sexuality; 4. Popular Music and State Politics: Hegemony, Resistance, Symbiosis, and Unity; Notes; References; Index 330 $aThis is the most comprehensive study to date of the rich popular music scene in contemporary China. Focusing on the city of Beijing and drawing upon extensive fieldwork, China's New Voices shows that during the 1980's and 1990's, rock and pop music, combined with new technologies and the new market economy, have enabled marginalized groups to achieve a new public voice that is often independent of the state. 606 $aChina - Civilization - 1976- 606 $aPopular music 606 $aPopular music-- Social aspects-- China 608 $aElectronic books. 615 4$aChina - Civilization - 1976-. 615 4$aPopular music. 615 4$aPopular music-- Social aspects-- China. 676 $a306.4/84 700 $aBaranovitch$b Nimrod$0688826 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910456399003321 996 $aChina's new voices$91234799 997 $aUNINA