LEADER 05188nam 2200661Ia 450 001 9910456380603321 005 20200520144314.0 010 $a1-283-16120-6 010 $a9786613161208 010 $a90-04-20758-9 035 $a(CKB)2550000000041855 035 $a(EBL)737668 035 $a(OCoLC)743693682 035 $a(SSID)ssj0000502598 035 $a(PQKBManifestationID)11322154 035 $a(PQKBTitleCode)TC0000502598 035 $a(PQKBWorkID)10520758 035 $a(PQKB)10468243 035 $a(MiAaPQ)EBC737668 035 $a(OCoLC)711642537 035 $a(nllekb)BRILL9789004207585 035 $a(PPN)174393504 035 $a(Au-PeEL)EBL737668 035 $a(CaPaEBR)ebr10483762 035 $a(CaONFJC)MIL316120 035 $a(EXLCZ)992550000000041855 100 $a20110330d2011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aControlling time and shaping the self$b[electronic resource] $edevelopments in autobiographical writing since the sixteenth century /$fedited by Arianne Baggerman, Rudolf Dekker, Michael Mascuch 210 $aLeiden ;$aBoston $cBrill$d2011 215 $a1 online resource (559 p.) 225 1 $aEgodocuments and history series ;$v3 300 $aDescription based upon print version of record. 311 0 $a90-04-19500-9 320 $aIncludes bibliographical references. 327 $tPreliminary Material /$r. J. A. Baggerman , R. M. Dekker and M. J. Mascuch --$tIntroduction /$r. J. A. Baggerman , R. M. Dekker and M. J. Mascuch --$tHistoricizing The Self, 1770?1830 /$rPeter Burke --$tTracing Lives: The Spanish Inquisition And The Act Of Autobiography /$rJames S. Amelang --$tAutobiographical Memory In The Making: Wilhelmina Of Prussia?s Childhood Memoirs /$rLotte Van De Pol --$tDrastic History And The Production Of Autobiography /$rPeter Fritzsche --$tMarc-Antoine Jullien: Controlling Time /$rPhilippe Lejeune --$tThe Diary And The Pocket Watch: Rethinking Time In Nineteenth-Century America /$rMolly McCarthy --$tWriting And Measuring Time: Nineteenth-Century French Teenagers? Diaries /$rMarilyn Himmesoëte --$tMarking Time: Australian Women?s Diaries Of The 1920's And 1930's /$rKatie Holmes --$tThe Second World War And Autobiography In Japan. Tales Of War And The ?Movement For One?s Own History? (Jibunshi) /$rPetra Buchholz --$tCan There Be A Collective Egodocument? The Case Of The Hashomer Hatzair Kehiliyatenu Collection In Palestine, 1922 /$rOfer Nordheimer Nur --$tThe Economy Of Narrative Identity /$rPaul John Eakin --$tBehind The Mask Of Civility: Physiognomy And Unmasking In The Early Eighteenth-Century Dutch Republic /$rEveline Koolhaas-Grosfeld --$tJohn Wesley, Superstar: Periodicity, Celebrity, And The Sensibility Of Methodist Society In Wesley?s Journal (1740?91) /$rMichael Mascuch --$tSelf-Made Men And The Civic: Time, Space And Narrative In Late Nineteenth-Century Autobiography /$rDonna Loftus --$tLife Writing, Marketing And The Construction Of Cinema History: On The Ghostwritten Autobiography Of Dutch Film Entrepreneur Abraham Tuschinski /$rAndré Van Der Velden --$t?Reading The Body?: Authors? Portraits And Their Significance For The Nineteenth-Century Reading Public /$rLisa Kuitert --$tDutch Matrimonial Advertisements From 1825 Until 1925: Changing Self-Portraits And Partner Profiles /$rPieter R.D. Stokvis --$tAutobiography And Contemporary History: The Dutch Reception Of Autobiographies, 1850?1918 /$rMarijke Huisman --$tThe Politics Of Nostalgia Or The Janus-Face Of Modern Society /$rHenri Beunders --$tLost Time: Temporal Discipline And Historical Awareness In Nineteenth-Century Dutch Egodocuments /$rArianne Baggerman. 330 $aThis book explores new questions and approaches to the rise of autobiographical writing since the early modern period. What motivated more and more men and women to write records of their private life? How could private writing grow into a bestselling genre? How was this rapidly expanding genre influenced by new ideas about history that emerged around 1800? How do we explain the paradox of the apparent privacy of publicity in many autobiographies? Such questions are addressed with reference to well-known autobiographies and an abundance of newfound works by persons hitherto unknown, not only from Europe, but also the Near East, and Japan. This volume features new views of the complex field of historical autobiography studies, and is the first to put the genre in a global perspective. 410 0$aEgodocuments and history series ;$v3. 606 $aAutobiography$xAuthorship 606 $aBiography as a literary form 608 $aElectronic books. 615 0$aAutobiography$xAuthorship. 615 0$aBiography as a literary form. 676 $a809/.93592 701 $aBaggerman$b Arianne$0904682 701 $aDekker$b Rudolf$0904683 701 $aMascuch$b Michael$0156953 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456380603321 996 $aControlling time and shaping the self$92023038 997 $aUNINA LEADER 04382nam 2200589Ia 450 001 9910867288503321 005 20251116152822.0 010 $a9783111073620 010 $a3111073629 024 7 $a10.1515/9783111073620 035 $a(CKB)31104518000041 035 $a(DE-B1597)641303 035 $a(DE-B1597)9783111073620 035 $a(MiAaPQ)EBC31281574 035 $a(Au-PeEL)EBL31281574 035 $a(OCoLC)1428235606 035 $a(OCoLC)1432589961 035 $a(EXLCZ)9931104518000041 100 $a20240326h20242024 fg 101 0 $ager 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aDas Herz in den Bildmedien religiöser Frauengemeinschaften $eFrühneuzeitliche Körperkonzepte im Spannungsverhältnis von Konfession, Stand und Geschlecht /$fMaria Schaller 205 $a1st ed. 210 1$aBerlin ;$aBoston :$cDe Gruyter,$d[2024] 210 4$d©2024 215 $a1 online resource (520 p.) 225 0 $aVerflechtung - Aushandlung - Opazität : Kunsthistorische Studien ,$x2941-4032 ;$v2 311 08$a9783111027784 311 08$a3111027783 327 $tFrontmatter --$tInhalt --$tDank --$t1 Einleitung --$t2 "Braut Christi" werden. Imaginierte Körperöffnungen im Bildnis der Sor María Antonia de la Purísima Concepción und das Besiegeln der Profess --$t3 Nadelarbeit und Narbenschrift. Körperliche Durchdringungen im Porträt der Suor Maria Sepellita della Concezione und die Genealogie einer "ewigen Herzenswunde" --$t4 Ordensverleihung versus "papistische Körpermodifikationen". Das herzförmige "Stiffts Zeichen" an der Schärpe im Bildnis der lutherischen Äbtissin Rosina Susanna von Venningen --$t5 Schlussbetrachtung --$tLiteraturverzeichnis --$tBildnachweis --$tPersonenregister --$tEnglish Summary 330 $aIn den Bildmedien religiöser Frauenge­meinschaften der Frühen Neuzeit war das Herz von besonderer Bedeutung. Maria Schaller analysiert Porträts und bildtragende Schmuckstücke, die im 17. und 18. Jahrhundert in katholischen Nonnenklöstern und protestantischen Damenstiften entstanden sind und Vorstellungen wie die Einwohnung, das Einprägen oder die Einschreibung des Göttlichen in das menschliche Herz thematisieren. Untersucht wer­den Rückgriffe auf die Herzvisionen spätmittelalterlicher Mystiker*innen, aber auch bemerkenswerte Neuse­mantisierungen wie die Konstruktion der Genealogie einer "ewigen Herzenswunde". Im Zentrum steht die Frage, inwiefern die präsentierten Körperbilder und Imaginationen des Herzens Aushandlungsprozesse im Spannungsfeld von Konfession, Stand und Geschlecht widerspiegeln. Grundlegender Beitrag zur Genderforschung und Körpergeschichte der Frühen Neuzeit Bilder des Herzens in verschiedenen christlichen Konfessionen 330 $aThe heart had a key position in the visual media of religious women's communities in the early modern era. Maria Schaller analyzes portraits and image-bearing jewelry created in Catholic nunneries and Protestant women's convents during the 17th and 18th centuries; these address ideas such as the indwelling, imprinting, or inscribing of the divine in the human heart. This study examines their recourse to the heart visions of late medieval mystics, but also to remarkable new semanticizations such as constructing the genealogy of an 'eternal wound of the heart'. The primary question is how far the body images and imaginaries of the heart presented here reflect mediation processes in the field of tension between denomination, class, and gender. Fundamental contribution to gender research and the history of the body during the early modern age Images of the heart in various Christian denominations 410 0$aVerflechtung - Aushandlung - Opazität Series 606 $aART / History / Baroque & Rococo$2bisacsh 610 $aEarly Modern. 610 $aart. 610 $abody image. 610 $aconvent of ladies. 610 $anunnery. 610 $atattoo. 615 7$aART / History / Baroque & Rococo. 676 $a271.9 700 $aSchaller$b Maria$4aut$4http://id.loc.gov/vocabulary/relators/aut$01733132 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910867288503321 996 $aDas Herz in den Bildmedien religiöser Frauengemeinschaften$94148315 997 $aUNINA