LEADER 01064nam1 2200373 450 001 990006133890203316 005 20160317094557.0 035 $a000613389 035 $aUSA01000613389 035 $a(ALEPH)000613389USA01 035 $a000613389 100 $a20011205d--------km-y0itay0103----ba 101 $aspa 102 $aIT 105 $a||||||||001yy 200 1 $aEstudios hispanoamericanos$fGiovanni Meo Zilio 210 $aRoma$cBulzoni 215 $avolumi$d24 cm 410 0$12001 454 1$12001 461 1$1001-------$12001 463 \1$1001990000787990203316$12001 $a<<1.:>> Temas lingüísticos 463 \1$1001990006133910203316$12001 $a<<3.:>> Temas Literarios y Estilísticos 606 0 $aLingua spagnola$yAmerica latina 676 $a467.98 700 1$aMEO ZILIO,$bGiovanni$0174268 801 0$aIT$bsalbc$gISBD 912 $a990006133890203316 951 $aVI.7.B.$bISLA 959 $aBK 969 $aUMA 979 $aMARANO$b90$c20160317$lUSA01$h0945 996 $aEstudios hispanoamericanos$9965565 997 $aUNISA LEADER 01048nam0 2200265 i 450 001 SUN0070057 005 20090515120000.0 010 $a978-88-13-27279-1 100 $a20090515d2007 |0itac50 ba 101 $aita 102 $aIT 105 $a|||| ||||| 200 1 $aˆIl ‰consenso al trattamento medico del minore$fMariassunta Piccinni 210 $aPadova$cCedam$d2007 215 $aIX, 325 p.$d22 cm. 410 1$1001SUN0002052$12001 $aBiblioteca giuridica$v41$1210 $aPadova$cCEDAM. 620 $dPadova$3SUNL000007 700 1$aPiccinni$b, Mariassunta$3SUNV055141$0599444 712 $aCEDAM$3SUNV005537$4650 801 $aIT$bSOL$c20181109$gRICA 912 $aSUN0070057 950 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA$d00 CONS I.Eh.19 $e00 BFG1671 995 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA$gBFG$h1671$kCONS I.Eh.19$op$qa 996 $aConsenso al trattamento medico del minore$91025239 997 $aUNICAMPANIA LEADER 04196nam 2200709 450 001 9910456377803321 005 20200520144314.0 010 $a1-281-99282-8 010 $a9786611992828 010 $a1-4426-8183-7 024 7 $a10.3138/9781442681835 035 $a(CKB)2430000000001975 035 $a(EBL)3255043 035 $a(SSID)ssj0000304225 035 $a(PQKBManifestationID)11226797 035 $a(PQKBTitleCode)TC0000304225 035 $a(PQKBWorkID)10278026 035 $a(PQKB)11760958 035 $a(CaBNvSL)thg00601066 035 $a(MiAaPQ)EBC3255043 035 $a(MiAaPQ)EBC4672109 035 $a(DE-B1597)465002 035 $a(OCoLC)1013949296 035 $a(OCoLC)944177426 035 $a(DE-B1597)9781442681835 035 $a(Au-PeEL)EBL4672109 035 $a(CaPaEBR)ebr11257792 035 $a(OCoLC)958516044 035 $a(EXLCZ)992430000000001975 100 $a20160914h20042004 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe new avant-garde in Italy $etheoretical debate and poetic practices /$fJohn Picchione 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2004. 210 4$d©2004 215 $a1 online resource (261 p.) 225 1 $aToronto Italian Studies 300 $aDescription based upon print version of record. 311 $a0-8020-8994-1 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tPreface -- $tAcknowledgments -- $t1. Poetry in Revolt: The Novissimi -- $t2. The Neoavanguardia and the Theoretical Debate -- $t3. The Gestural and Schizoid Language of Alfredo Giuliani -- $t4. Collage, Multilingualism, and Ideology: Elio Pagliarani's Epic Narratives -- $t5. Edoardo Sanguined and the Labyrinth of Poetry -- $t6. The Poetic Nomadism of Antonio Porta -- $t7. Nanni Balestrini and the Invisibility of the Poetic T -- $t8. Other Poets, Other Subversions -- $t9. Crossing the Boundaries of the Word: The Visual Poets -- $t10. Closing Remarks -- $tNotes -- $tWorks Cited -- $tIndex 330 $aThe debate on literature and the arts provoked by the Italian neoavant-garde (neoavanguardia) is undoubtedly one of the most animated and controversial the country has witnessed from World War II to the present. Comprising the period between the late 1950s and the late 1960s, the phenomenon of the neoavanguardia involved key writers, critics, and artists, both as insiders ? Sanguineti, Balestrini, Guglielmi, Eco, and others ? and adversaries such as Pasolini, Calvino, and Moravia.In The New Avant-Garde in Italy ? the first book in English to document the movement ? John Picchione's objective is twofold: to provide a comprehensive analysis of the theoretical tenets that inform the works of the neoavanguardia and to show how they are applied to the poetic practices of its authors. The neoavanguardia cannot, Picchione argues, be defined as a movement with a unified program expressed in the form of manifestos or shared theoretical principles. It experiences irreconcilable internal conflicts that are explored as a split between two main blocs ? one that is tied to the project of modernity, the other to post-modern aesthetic postures. This study suggests that some of the contentious views proposed by the neoavanguardia anticipated a wide range of issues that continue to be significant and pressing to this day. 410 0$aToronto Italian studies. 606 $aItalian poetry$y20th century$xHistory and criticism 606 $aExperimental poetry, Italian$xHistory and criticism 606 $aAvant-garde (Aesthetics)$zItaly 608 $aElectronic books. 615 0$aItalian poetry$xHistory and criticism. 615 0$aExperimental poetry, Italian$xHistory and criticism. 615 0$aAvant-garde (Aesthetics) 676 $a851.910911 700 $aPicchione$b John$f1949-$0183533 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456377803321 996 $aThe new avant-garde in Italy$92477359 997 $aUNINA