LEADER 04226nam 2200793 450 001 9910456363803321 005 20200520144314.0 010 $a1-4426-8404-6 024 7 $a10.3138/9781442684041 035 $a(CKB)2430000000002062 035 $a(OCoLC)647760108 035 $a(CaPaEBR)ebrary10292816 035 $a(SSID)ssj0000478020 035 $a(PQKBManifestationID)11913417 035 $a(PQKBTitleCode)TC0000478020 035 $a(PQKBWorkID)10418963 035 $a(PQKB)10167611 035 $a(CaBNvSL)slc00222541 035 $a(CaPaEBR)424246 035 $a(MiAaPQ)EBC3262952 035 $a(MiAaPQ)EBC4672300 035 $a(CaOKQ)4021686-queensdb-Voyager 035 $a(DE-B1597)464049 035 $a(OCoLC)1013955707 035 $a(OCoLC)954123569 035 $a(DE-B1597)9781442684041 035 $a(Au-PeEL)EBL4672300 035 $a(CaPaEBR)ebr11257973 035 $a(OCoLC)958514420 035 $a(EXLCZ)992430000000002062 100 $a20160923h20072007 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBefore the country $enative renaissance, Canadian mythology /$fStephanie McKenzie 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2007. 210 4$dİ2007 215 $a1 online resource (xi, 233 pages) $cdigital file 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8020-9446-5 311 $a0-8020-9208-X 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tAbbreviations -- $tIntroduction -- $t1. The Headwaters of Design -- $t2. The Seventh Generation -- $t3. Native Literature of the 1960s and 1970s in Canada -- $t4. Day of Atonement -- $t5. Searching for Sun-Gods: Robert Kroestch's Badlands and Sky Lee's Disappearing Moon Cafe -- $t6. Admitting the Possibility of Transitional Texts in Canadian Literature -- $tConclusion -- $tNotes -- $tWorks Cited -- $tPermissions -- $tIndex 330 $aIn the late 1960s and early 1970s, Canada witnessed an explosion in the production of literary works by Aboriginal writers, a development that some critics have called the Native Renaissance. In Before the Country, Stephanie McKenzie explores the extent to which this growing body of literature influenced non-Native Canadian writers and has been fundamental in shaping our search for a national mythology.In the context of Northrop Frye's theories of myth, and in light of the attempts of social critics and early anthologists to define Canada and Canadian literature, McKenzie discusses the ways in which our decidedly fractured sense of literary nationalism has set indigenous culture apart from the mainstream. She examines anew the aesthetics of Native Literature and, in a style that is creative as much as it is scholarly, McKenzie incorporates the principles of storytelling into the unfolding of her argument. This strategy not only enlivens her narrative, but also underscores the need for new theoretical strategies in the criticism of Aboriginal literatures. Before the Country invites us to engage in one such endeavour. 606 $aCanadian literature$xIndian authors$xHistory and criticism 606 $aIndians of North America$zCanada$xIntellectual life 606 $aIndians in literature 606 $aMyth in literature 606 $aMythology in literature 606 $aNationalism and literature$zCanada$xHistory$y20th century 608 $aElectronic books. 615 0$aCanadian literature$xIndian authors$xHistory and criticism. 615 0$aIndians of North America$xIntellectual life. 615 0$aIndians in literature. 615 0$aMyth in literature. 615 0$aMythology in literature. 615 0$aNationalism and literature$xHistory 676 $aC810.9/897 700 $aMcKenzie$b Stephanie$0989120 712 02$aScholars Portal. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456363803321 996 $aBefore the country$92262128 997 $aUNINA