LEADER 01933nam 2200613Ia 450 001 9910456304803321 005 20200520144314.0 010 $a7-7480-4777-4 010 $a1-283-22591-3 010 $a9786613225917 010 $a0-7748-5650-5 035 $a(CKB)2430000000000435 035 $a(SSID)ssj0000376005 035 $a(PQKBManifestationID)11289106 035 $a(PQKBTitleCode)TC0000376005 035 $a(PQKBWorkID)10327118 035 $a(PQKB)11394182 035 $a(CaBNvSL)thg00602912 035 $a(MiAaPQ)EBC3255850 035 $a(MiAaPQ)EBC3412532 035 $a(Au-PeEL)EBL3412532 035 $a(CaPaEBR)ebr10227166 035 $a(CaONFJC)MIL322591 035 $a(OCoLC)923446361 035 $a(EXLCZ)992430000000000435 100 $a19930629d1994 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDiscovering the Americas$b[electronic resource] $ethe evolution of Canadian foreign policy towards Latin America /$fJames Rochlin 210 $aVancouver $cUBC Press$dc1994 215 $a300 p. $cmaps ;$d23 cm 225 1 $aCanada and international relations,$x0847-0510 ;$v8 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-7748-0477-7 311 $a0-7748-0476-9 320 $aIncludes bibliographical references and index. 410 0$aCanada and international relations ;$v8. 606 $aInternational relations 607 $aCanada$xForeign relations$zLatin America 607 $aLatin America$xForeign relations$zCanada 608 $aElectronic books. 615 0$aInternational relations. 676 $a327.7108 700 $aRochlin$b James Francis$f1956-$0985676 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456304803321 996 $aDiscovering the Americas$92253000 997 $aUNINA LEADER 05684oam 2200721I 450 001 9910454413103321 005 20200520144314.0 010 $a1-136-13933-8 010 $a1-136-13934-6 010 $a1-282-76912-X 010 $a9786612769122 010 $a0-08-092784-X 024 7 $a10.4324/9780080927848 035 $a(CKB)1000000000747978 035 $a(EBL)435307 035 $a(OCoLC)406459869 035 $a(SSID)ssj0000174162 035 $a(PQKBManifestationID)11189057 035 $a(PQKBTitleCode)TC0000174162 035 $a(PQKBWorkID)10176581 035 $a(PQKB)11571120 035 $a(MiAaPQ)EBC4689175 035 $a(MiAaPQ)EBC435307 035 $a(CaSebORM)9780240810331 035 $a(Au-PeEL)EBL4689175 035 $a(CaPaEBR)ebr11289084 035 $a(CaONFJC)MIL276912 035 $a(OCoLC)961451862 035 $a(EXLCZ)991000000000747978 100 $a20180706d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aHow to make animated films $eTony White's complete masterclass on the traditional principles of animation /$fTony White 205 $a1st edition 210 1$aAmsterdam ;$aBoston :$cFocal Press/Elsevier,$d2009. 215 $a1 online resource (512 p.) 300 $a"An animation apprenticeship--the way the pros used to do it!" 311 $a1-138-40324-5 311 $a0-240-81033-3 327 $aHow to Make Animated FilmsTony White's Complete Masterclass on the Traditional Principles of Animation; Copyright; Contents; Preface; Introduction; First ... A Reality Check; Your Own Personal Animation Course; 2D Or Not 2D? - That Is the Question; However ...; Prerequisites for Study; Equipment; Let the Fun Begin!; Acknowledgments; PART 1: How to Be an Animator; 10-Step Foundation Course; Masterclass 1: Animation Basics; Key, Breakdown, and In-Between Positions; Creating Key Positions; Creating the Breakdown Position; Top Pegs/Bottom Pegs; Charting Explained; In-Betweening 327 $aFlipping as Opposed to RollingArcs and Paths of Action; Timing and the Spacing of Drawings; Suggested Reading; Assignment 1; Masterclass 2: The Bouncing Ball; Weight, Mass, and Flexibility; Gravity and the Path of Action; Key Positions; Squash; Stretch; Timing; Weight; In-Betweening the Bouncing Ball; Distorting Mass and Volume; The Descending Bounce; Flip Your Drawings ... Always!; Final Double-Checks; Suggested Reading; Assignment 2; Masterclass 3: Generic Walks; The Lower Body; Walk Cycle; Shooting a Walk Cycle; In-Betweening on One's; Testing the Walk; The Upper Body; Suggested Reading 327 $aAssignment 3Masterclass 4: Personality Walks; Hip and Shoulder Rotation; Overlapping Action on the Hands; Overlapping Action on the Head; Rotation on the Head; Keeping Good Balance Throughout; In-Between Placement and Timing; Double-Bounce Walk; Chart Timing and Variation; Observation and Reference Footage; The Animator's Survival Kit; Suggested Reading; Assignment 4; Masterclass 5: Generic Runs; Key Generic Run Stages; Run Exercise; Additional Pointers for Runs; Head-On Runs; Suggested Reading; Assignment 5; Masterclass 6: Quadruped Walks; Front Legs; Rear Legs; Synching the Legs Together 327 $aAdding the BodyNeck and Head; Adding the Tail; Moving Background; Multilayered Backgrounds; Nonwalk Pans; Realistic Quadrupeds; Suggested Reading; Assignment 6; Masterclass 7: Weight; Standard Rubber Ball; Ping-Pong Ball; Bowling Ball; Comparing the Three Versions; The Pose Is Everything; Tips; Suggested Reading; Assignment 7; Masterclass 8: Anticipation; The Benefi ts of Anticipation; Anticipations Are for Everything; Suggested Reading; Assignment 8; Masterclass 9: Dialog; Body Language; Facial Animation; Lip Synching; Two-Character Dialog; Further References; Suggested Reading; Assignment 9 327 $aMasterclass 10: Final ProjectStaggers; Successive Breakouts of Joints; Eye Blinks; Eyebrows; Always Gravity!; Conclusion; Suggested Reading; Assignment 10; PART 2: How to Make an Animated Film; Production Challenge; Film Production 1: Exploring Ideas, Storytelling, and Scriptwriting; Meaning and WTF?; Assignment; Film Production 2: Concept Art, Viz Dev , and Camera Maps; Concept Art; Camera Map; Assignment; Film Production 3: Character Design; Style; Personality; Attitude; Proportion; Head Heights; Silhouette; Detail; Process; Warm-Up Exercise; Assignment; Film Production 4: Thumbnails 327 $aAssignment 330 $aSadly the days of the traditional studio apprenticeship in animation are long gone but this book enables the reader to find the next best thing, watching and observing a Master Animator at work. Become Tony White's personal animation apprentice, and experience the golden era of the great Disney and Warner Brothers studios right in your own home or studio. Tony White's Animation Master Class is uniquely designed to cover the core principles of animated movement comprehensively. It offers a DVD with animated movies and filmed excerpts of the author at his drawing board to illustrate the conce 517 3 $aComplete masterclass on the traditional principles of animation 517 3 $aTony White's complete masterclass on the traditional principles of animation 606 $aAnimation (Cinematography) 608 $aElectronic books. 615 0$aAnimation (Cinematography) 676 $a741.5/8 700 $aWhite$b Tony$f1947-,$0986222 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910454413103321 996 $aHow to make animated films$92254114 997 $aUNINA