LEADER 04310nam 2200781 450 001 9910456150903321 005 20200520144314.0 010 $a1-282-02260-1 010 $a9786612022609 010 $a1-4426-7931-X 024 7 $a10.3138/9781442679313 035 $a(CKB)2420000000004326 035 $a(EBL)3251264 035 $a(SSID)ssj0000308344 035 $a(PQKBManifestationID)11274969 035 $a(PQKBTitleCode)TC0000308344 035 $a(PQKBWorkID)10258392 035 $a(PQKB)11424300 035 $a(CaPaEBR)418237 035 $a(CaBNvSL)thg00600311 035 $a(MiAaPQ)EBC3251264 035 $a(MiAaPQ)EBC4671907 035 $a(DE-B1597)464822 035 $a(OCoLC)1013963014 035 $a(OCoLC)944177671 035 $a(DE-B1597)9781442679313 035 $a(Au-PeEL)EBL4671907 035 $a(CaPaEBR)ebr11257596 035 $a(OCoLC)244764760 035 $a(EXLCZ)992420000000004326 100 $a20160922h20022002 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aRethinking women's collaborative writing $epower, difference, property /$fLorraine York 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2002. 210 4$dİ2002 215 $a1 online resource (216 p.) 300 $aDescription based upon print version of record. 311 $a0-8020-8465-6 311 $a0-8020-3623-6 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tACKNOWLEDGMENTS -- $t1. Theorizing Contemporary Women's Collaborative Writing -- $t2. 'We Have Horrible Disagreements about "Moreovers"': Collaborative Theory and Criticism -- $t3. Collaborative Predecessors -- $t4. 'The High Wire of Self and Other': Prose Collaborations -- $t5. Being Alone Together: Collaborative Poetry -- $t6. 'It... Shook Up My Easy Theories': Theatrical Collaboration -- $tEpilogue 'Giving Each Other the Gears, We Are Still Engaged' -- $tWORKS CITED -- $tINDEX 330 $aCollaborative writing is not a new phenomenon, nor is it specific to a particular genre of writing. In Rethinking Women's Collaborative Writing, Lorraine York presents an eminently readable study of the history of collaborative writing and common critical reactions to it. From Early Modern playwrights and poets to nineteenth-century novelists to contemporary writers and literary critics, York's survey focuses on women's collaborative writing in order to expose the long-standing prejudice against this form and to encourage readings of these works that take into account the personalities of the collaborators and the power dynamics of their authorial relationships. York explores collaborative writing from women in Britain, the United States, Italy and France, illuminating the tensions in the collaborative process that grow out of important cultural, racial, and sexual differences between the authors. Current scholarship on collaborative writing is growing and Rethinking Women's Collaborative Writing presents a strong, thoughtful addition to the literature in the field. 606 $aEnglish literature$xWomen authors$xHistory and criticism$xTheory, etc 606 $aCanadian literature$xWomen authors$xHistory and criticism$xTheory, etc 606 $aAmerican literature$xWomen authors$xHistory and criticism$xTheory, etc 606 $aFeminism and literature$zEnglish-speaking countries 606 $aWomen and literature$zEnglish-speaking countries 606 $aAuthorship$xCollaboration 608 $aElectronic books. 615 0$aEnglish literature$xWomen authors$xHistory and criticism$xTheory, etc. 615 0$aCanadian literature$xWomen authors$xHistory and criticism$xTheory, etc. 615 0$aAmerican literature$xWomen authors$xHistory and criticism$xTheory, etc. 615 0$aFeminism and literature 615 0$aWomen and literature 615 0$aAuthorship$xCollaboration. 676 $a809/.89287 700 $aYork$b Lorraine Mary$f1958-$0990082 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456150903321 996 $aRethinking women's collaborative writing$92444546 997 $aUNINA