LEADER 03660nam 2200697Ia 450 001 9910456114203321 005 20200520144314.0 010 $a1-58729-271-8 035 $a(CKB)111056486862686 035 $a(EBL)837040 035 $a(OCoLC)50322318 035 $a(SSID)ssj0000161786 035 $a(PQKBManifestationID)11169679 035 $a(PQKBTitleCode)TC0000161786 035 $a(PQKBWorkID)10219337 035 $a(PQKB)11702950 035 $a(MiAaPQ)EBC837040 035 $a(MdBmJHUP)muse9290 035 $a(Au-PeEL)EBL837040 035 $a(CaPaEBR)ebr10354464 035 $a(EXLCZ)99111056486862686 100 $a19991109d2000 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aGenre fission$b[electronic resource] $ea new discourse practice for cultural studies /$fMarleen S. Barr 210 $aIowa City $cUniversity of Iowa Press$dc2000 215 $a1 online resource (291 p.) 300 $aDescription based upon print version of record. 311 $a0-87745-703-4 320 $aIncludes bibliographical references (p. [249]-261) and index. 327 $aIntroduction "The Grand Mix" or Who Wears the White Hats When the Barbie Liberation Organization Strikes Back?; 1 Bridging the Dead father's canonical divide Max Apple, Saul Bellow, Edgar Allan Poe, and Lynn Redgrave Form a Textual Cross- Dresser Support Group; 2 "Sll good things" The End of ""Star Trek: The Next Generation,"" the End of Camelot, and the End of the Tale about Woman as Handmaid to Patriarchyas- Superman; 3 Shutting the bestial mouth Confessions of Male Clones and Girl Gangs 327 $a4 Night watch in amsterdam's red light district Prostitutes / Dutch Windows / Utopian and Dystopian Gazes5 Los York / New Angeles "New York, New York, a Helluva Town" Sings "I Wish They All Could Be California Girls"; 6 American middle-class males mark the moon Retrospectively Reading the Apollo Program or Lorena Bobbitt vs. the ""Saturn 5""; 7 Women "churtening" via the cha cha Ursula K. Le Guin and Hispanic- American Authors Write to the Same Rhythm; 8 Wrapping the reichstag vs. rapping racism or "a colored kind of white people" Black /White / Jew / Gentile 327 $a9 Playing with time The Holocaust as "A Different Universe of Discourse"Epilogue: Discourse as Black Hole- and as Liberated Light; Notes; Works Cited; Index 330 $aWhat do Amsterdam prostitutes, NASA astronauts, cross-dressing texts, and Star Trek characters have in common? In Genre Fission, Marleen Barr wittily and eccentrically revitalizes cultural and literary theory by examining the points where such vastly different categories meet, converge, and reemerge as something new. 606 $aAmerican fiction$y20th century$xHistory and criticism$xTheory, etc 606 $aPostmodernism (Literature)$zUnited States 606 $aPostmodernism$zUnited States 606 $aDiscourse analysis, Literary 606 $aCulture$xPhilosophy 606 $aLiterary form 607 $aUnited States$xCivilization$y20th century 608 $aElectronic books. 615 0$aAmerican fiction$xHistory and criticism$xTheory, etc. 615 0$aPostmodernism (Literature) 615 0$aPostmodernism 615 0$aDiscourse analysis, Literary. 615 0$aCulture$xPhilosophy. 615 0$aLiterary form. 676 $a306 676 $a814/.54 700 $aBarr$b Marleen S$0544507 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910456114203321 996 $aGenre fission$92467704 997 $aUNINA