LEADER 03559nam 2200685 450 001 9910455830903321 005 20200520144314.0 010 $a1-282-02562-7 010 $a9786612025624 010 $a1-4426-7282-X 024 7 $a10.3138/9781442672826 035 $a(CKB)2420000000003928 035 $a(EBL)3250407 035 $a(SSID)ssj0000291178 035 $a(PQKBManifestationID)11222165 035 $a(PQKBTitleCode)TC0000291178 035 $a(PQKBWorkID)10248918 035 $a(PQKB)11290078 035 $a(CaPaEBR)417776 035 $a(CaBNvSL)thg00600486 035 $a(MiAaPQ)EBC3250407 035 $a(MiAaPQ)EBC4671333 035 $a(DE-B1597)464309 035 $a(OCoLC)944178375 035 $a(DE-B1597)9781442672826 035 $a(Au-PeEL)EBL4671333 035 $a(CaPaEBR)ebr11257049 035 $a(OCoLC)244766798 035 $a(EXLCZ)992420000000003928 100 $a20160926h19981998 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aChamber music $eElizabethan sonnet-sequences and the pleasure of criticism /$fRoger Kuin 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d1998. 210 4$dİ1998 215 $a1 online resource (302 p.) 225 0 $aHeritage 300 $aIncludes index. 311 $a1-4426-1498-6 311 $a0-8020-4188-4 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tPreface -- $t1. Prelude -- $t2. Three easy pieces -- $t3. Polyphony -- $t4. Tempo/Sequenza -- $t5. Two-part invention -- $t6. Theme with variations -- $t7. From the New World -- $t8. Bin Heldenleben -- $t9. Death and the maiden -- $t10. Divertimento -- $t11. Four-part fugue -- $t12. Encore -- $tAppendix: Discourse and its choices -- $tNotes -- $tIndex 330 $aRoger Kuin's Chamber Music is a playfully written, imaginative, and ultimately demanding book, with a critical approach characterized by an unusual and indiosynchratic post-modern critical style that will challenge the reader's perceptions of what a book of criticism should and can do.Analysing the sonnet sequences of Sidney, Spenser, and Shakespeare both from an interpretive angle and from the perspective of a post-modern re-evaluation of the Renaissance sonnets, Roger Kuin's discussion is influenced by many modern literary critics, including Roland Barthes and Umberto Eco. Kuin focuses on the problems inherent in the form of the sonnet sequence, emphasizing the various forms of indeterminacy central to their meaning. His sense of the intertextual relationship among the major English sequences is subtle, and in places, strikingly original, in combination with a highly sophisticated understanding of theory. Chamber Music is a book that will infuriate many, but ultimately reward those who flow with its idiosyncratic style towards Roger Kuin's admirable and expert conclusions. 606 $aEnglish poetry$yEarly modern, 1500-1700$xHistory and criticism 606 $aSonnets, English$xHistory and criticism 608 $aElectronic books. 615 0$aEnglish poetry$xHistory and criticism. 615 0$aSonnets, English$xHistory and criticism. 676 $a821.04209 700 $aKuin$b R. J. P.$01044156 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910455830903321 996 $aChamber music$92469616 997 $aUNINA