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010   $a90-474-0187-5
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035   $a(OCoLC)191039332
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100   $a20030627d2003      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aDescription in classical Arabic poetry$b[electronic resource] $ewas?f, ekphrasis, and interarts theory /$fby Akiko Motoyoshi Sumi
210   $aLeiden ;$aBoston, MA $cBrill$d2003
215   $a1 online resource (276 p.)
300   $aDescription based upon print version of record.
311   $a90-04-12922-7 
320   $aIncludes bibliographical references and index.
327   $aContents; Preface; Acknowledgments; A Note on Translation and Transliteration; Introduction; Chapter One: Contest as Ceremony: A Pre-Islamic Poetic Contest in Horse Description of Imru' al-Qays vs. 'Alqamahal-Fahl; Chapter Two: Remedy and Resolution: Bees and Honey-Gathering in Two Hudhali? Odes; Chapter Three: Reality and Reverie: Wine and Ekphrasis in the 'Abba?sid Poetry of Abu Nuwa?s and al-Buhturi?; Chapter Four: Sensibility and Synaesthesia: Ibn al-Rumi?'s Singing Slave-Girl; Chapter Five: Poetry and Portraiture: A Double Portrait in a Panegyric; Conclusion; Appendix of Arabic Texts
327   $aWorks CitedIndex
330   $aThis work deals with ""wasf"" or description which is one of the salient characteristics of the ""qasidah"" (classical Arabic poetry) tradition. It examines descriptive passages in a selected group of Arabic ""qasidah"" from different ages, with the motifs of horses, and bees and honey-gathering.
606   $aArabic poetry$xHistory and criticism
606   $aEkphrasis
608   $aElectronic books.
615  0$aArabic poetry$xHistory and criticism.
615  0$aEkphrasis.
676   $a892.7/1009
700   $aSumi$b Akiko Motoyoshi$0893222
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910455819503321
996   $aDescription in classical Arabic poetry$91994986
997   $aUNINA