LEADER 02434nam  2200625 a 450 
001 9910455806003321
005 20200520144314.0
010   $a1-280-47666-4
010   $a9786610476664
010   $a1-84150-829-2
035   $a(CKB)111056486992596
035   $a(EBL)283040
035   $a(OCoLC)476029223
035   $a(SSID)ssj0000388148
035   $a(PQKBManifestationID)11938143
035   $a(PQKBTitleCode)TC0000388148
035   $a(PQKBWorkID)10411973
035   $a(PQKB)10239038
035   $a(SSID)ssj0000081812
035   $a(PQKBManifestationID)11983558
035   $a(PQKBTitleCode)TC0000081812
035   $a(PQKBWorkID)10114292
035   $a(PQKB)10990938
035   $a(MiAaPQ)EBC283040
035   $a(Au-PeEL)EBL283040
035   $a(CaPaEBR)ebr10015831
035   $a(CaONFJC)MIL47666
035   $a(OCoLC)51103352
035   $a(EXLCZ)99111056486992596
100   $a20021221d2002      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe composition of Herman Melville$b[electronic resource] /$fRick Mitchell
210   $aPortland, OR $cIntellect Books$d2002
215   $a1 online resource (105 p.)
300   $aDescription based upon print version of record.
311   $a1-84150-067-4 
327   $aACT II; Preliminaries; Author Information & Dedication; Acknowledgements; Explanatory Notes; ACT I
330   $aThis play, which contains biographical information relating to Herman Melville, is fundamentally an exploration of the ways in which these two things take place. The play admits the truth of Walter Benjamin's view of history as ''time filled by the presence of the now''. Parallels between past and present (e.g., racism, domestic abuse, and the plight of the visionary American artist) are clearly implied, but the play also utilizes new technologies, in particular video, in order to represent the kind of dialectical history and representation promoted by Benjamin. During Melville's lifetime, and
606   $aAmerican drama
608   $aElectronic books.
615  0$aAmerican drama.
676   $a812.54
676   $a812/.6
700   $aMitchell$b Rick$0858043
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910455806003321
996   $aThe composition of Herman Melville$91915759
997   $aUNINA