LEADER 03230oam 2200757I 450 001 9910455773103321 005 20210107033205.0 010 $a1-134-97276-8 010 $a1-280-32855-X 010 $a0-203-13547-4 024 7 $a10.4324/9780203135471 035 $a(CKB)111087027066662 035 $a(EBL)178318 035 $a(OCoLC)62597474 035 $a(SSID)ssj0000154064 035 $a(PQKBManifestationID)11162730 035 $a(PQKBTitleCode)TC0000154064 035 $a(PQKBWorkID)10407355 035 $a(PQKB)10592560 035 $a(MiAaPQ)EBC178318 035 $a(OCoLC)52558469 035 $a(EXLCZ)99111087027066662 100 $a20180706d1992 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe female nude $eart, obscenity, and sexuality /$fLynda Nead 210 1$aLondon ;$aNew York :$cRoutledge,$d1992. 215 $a1 online resource (184 p.) 300 $aDescription based upon print version of record. 311 $a1-138-13044-3 311 $a0-415-02678-4 320 $aIncludes bibliographical references (pages 122-130) and index. 327 $aBook Cover; Title; Contents; List of plates; Introduction; FRAMING THE FEMALE BODY; A DISCOURSE ON THE NAKED AND THE NUDE; A STUDY OF IDEAL ART; AESTHETICS AND THE FEMALE NUDE; OBSCENITY AND THE SUBLIME; 'THE DAMAGED VENUS'; THE FRAMEWORK OF TRADITION; THE LESSONS OF THE LIFE CLASS; ART CRITICISM AND SEXUAL METAPHOR; BREAKING OPEN THE BOUNDARIES; REDRAWING THE LINES; SACRED FRONTIERS; PURE AND MOTIVATED PLEASURE; POLICING THE BOUNDARIES; DISPLAYING THE FEMALE BODY; EROTIC ART: A FRAME FOR DESIRE; Notes; Works cited; Index 330 $aAnyone who examines the history of Western art must be struck by the prevalence of images of the female body. More than any other subject, the female nude connotes `art'. The framed image of a female body, hung on the walls of an art gallery, is an icon of Western culture, a symbol of civilization and accomplishment. But how and why did the female nude acquire this status?The Female Nude brings together, in an entirely new way, analysis of the historical tradition of the female nude and discussion of recent feminist art, and by exploring the ways in which acceptable and unacceptab 606 $aFemale nude in art 606 $aNude in art 606 $aSex in art 606 $aWomen in art 606 $aFemale nude in art 606 $aSex in art 606 $aVisual Arts$2HILCC 606 $aVisual Arts - General$2HILCC 606 $aArt, Architecture & Applied Arts$2HILCC 608 $aElectronic books. 615 4$aFemale nude in art. 615 4$aNude in art. 615 4$aSex in art. 615 4$aWomen in art. 615 0$aFemale nude in art 615 0$aSex in art 615 7$aVisual Arts 615 7$aVisual Arts - General 615 7$aArt, Architecture & Applied Arts 676 $a704.9 676 $a704.9/424 20 676 $a704.9424 700 $aNead$b Lynda.$0254853 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910455773103321 996 $aThe female nude$92092241 997 $aUNINA LEADER 01656nam 2200397 n 450 001 996392358903316 005 20200824121902.0 035 $a(CKB)4940000000108677 035 $a(EEBO)2240911797 035 $a(UnM)99863844e 035 $a(UnM)99863844 035 $a(EXLCZ)994940000000108677 100 $a19930701d1653 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 14$aThe peace-maker$b[electronic resource] $eBeing a letter sent from J.W. in London to N.C. his friend and countrey-man in Holland, to be communicated unto others for publique good wherein is set forth the state of the last treatie: and what advantage it will be to the Netherlanders, to accept the offer which the Councell of England then made to their messengers. Being according to the Dutch copie 210 $aLondon, $cPrinted by M: Simmons in Aldersgate-street, next door to the gilded Lion$d1653 215 $a[2], 1, 4-18 p 300 $aDutch original not traced. 300 $aAnnotation on Thomason copy: "Decemb 16:". 300 $aReproduction of the original in the British Library. 330 $aeebo-0018 607 $aEngland$xForeign relations$zNetherlands$vEarly works to 1800 607 $aNetherlands$xForeign relations$zEngland$vEarly works to 1800 607 $aGreat Britain$xHistory$yCommonwealth and Protectorate, 1649-1660$vEarly works to 1800 700 $aJ. W$01001950 701 $aN. C$01001520 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bUk-ES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996392358903316 996 $aThe peace-maker$92369224 997 $aUNISA