LEADER 02818oam 2200637I 450 001 9910455720703321 005 20200520144314.0 010 $a1-138-83420-3 010 $a1-134-41493-5 010 $a1-280-40110-9 010 $a0-585-46070-1 024 7 $a10.4324/9780203083819 035 $a(CKB)111087026800342 035 $a(EBL)171445 035 $a(OCoLC)57720509 035 $a(SSID)ssj0000297920 035 $a(PQKBManifestationID)11243548 035 $a(PQKBTitleCode)TC0000297920 035 $a(PQKBWorkID)10343218 035 $a(PQKB)11056951 035 $a(MiAaPQ)EBC171445 035 $a(Au-PeEL)EBL171445 035 $a(CaPaEBR)ebr10164978 035 $a(CaONFJC)MIL40110 035 $a(EXLCZ)99111087026800342 100 $a20180331d2003 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aGreek tragedy in action /$fby Oliver Taplin 205 $a2nd ed. 210 1$aLondon ;$aNew York :$cRoutledge,$d2003. 215 $a1 online resource (166 p.) 300 $aDescription based upon print version of record. 311 $a0-415-30251-X 311 $a0-203-08381-4 320 $aIncludes bibliographical references (p. [194]-198) and index. 327 $aBook Cover; Title; Contents; List of plates; Preface; The visual dimension of tragedy; Stage management and stage directions; Introduction to nine plays; Exits and entrances; Actions and gestures; Objects and tokens; Tableaux, noises and silences; Mirror scenes; Scenic sequence; Emotion and meaning in the theatre; Round plays in square theatres; Notes; Select bibliography; Index of passages discussed; General index 330 $aOliver Taplin's seminal study was revolutionary in drawing out the significance of stage action in Greek tragedy at a time when plays were often read purely as texts, rather than understood as performances.Professor Taplin explores nine plays, including Aeschylus' agamemnon and Sophocles' Oedipus the King. The details of theatrical techniques and stage directions, used by playwrights to highlight key moments, are drawn out and related to the meaning of each play as a whole. With extensive translated quotations, the essential unity of action and speech in Greek tragedy is 606 $aGreek drama (Tragedy)$xHistory and criticism 606 $aTheater$zGreece$xHistory$yTo 500 608 $aElectronic books. 615 0$aGreek drama (Tragedy)$xHistory and criticism. 615 0$aTheater$xHistory 676 $a882/.0109 686 00$a882.0109 TAP 700 $aTaplin$b Oliver.$0185206 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910455720703321 996 $aGreek tragedy in action$9557273 997 $aUNINA LEADER 01461nam 2200349 n 450 001 996390698203316 005 20200824120429.0 035 $a(CKB)4940000000100921 035 $a(EEBO)2264218973 035 $a(UnM)99835999e 035 $a(UnM)99835999 035 $a(EXLCZ)994940000000100921 100 $a19900821d1626 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 14$aThe unmasking of a masse-monger$b[electronic resource] $eWho in the counterfeit habit of S. Augustine hath cunningly crept into the closets of many English ladies. Or, the vindication of Saint Augustines confessions, from the false and malicious calumniations of a late noted apostate. By M.S. D. of Exeter 210 $aLondon $cPrinted by B. A[lsop] and T. Favvcett, for Nich: Bourne, and are to bee sold at his shop neere to the royall exchange$d1626 215 $a[12], 84 p 300 $aM.S. = Matthew Sutcliffe. 300 $aPrinter's name from STC. 300 $aA criticism of Sir Tobie Matthew in his translation of Saint Augustine's Confessions. 300 $aReproduction of the original in the Union Theological Seminary (New York, N.Y.). Library. 330 $aeebo-0160 700 $aSutcliffe$b Matthew$f1550?-1629.$01001501 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996390698203316 996 $aThe unmasking of a masse-monger$92371493 997 $aUNISA