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200 00$aInequality and economic development in Brazil$b[electronic resource]
210   $aWashington, D.C. $cWorld Bank$d2004
215   $axxii, 281 p
225 1 $aA World Bank country study
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a0-8213-5880-4 
320   $aIncludes bibliographical references.
410  0$aWorld Bank country study.
606   $aIncome distribution$zBrazil
606   $aEquality$zBrazil
607   $aBrazil$xEconomic conditions$y1985-
608   $aElectronic books.
615  0$aIncome distribution
615  0$aEquality
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200 14$aThe holy mountain /$fAlessandra Santos
210  1$aLondon ;$aNew York :$cWallflower Press,$d2017.
215   $a1 online resource (vii, 136 pages) $cillustrations
225 1 $aCultographies
311   $a0-231-18231-7 
320   $aIncludes bibliographical references and index.
327   $tFrontmatter -- $tContents -- $tAcknowledgements -- $tIntroduction: 'But is this life reality? No. It's a film.' The Holy Mountain and Me -- $t1. Enlightenment for Sale: Production, Promotion, Initial Reception -- $t2. The Secret of Immortality: Afterlife -- $t3. Sacred Excrement: Reading The Holy Mountain -- $t4. 'Real life awaits us!': Placing The Holy Mountain -- $tNotes -- $tBibliography -- $tIndex
330   $aAlejandro Jodorowsky's El Topo helped inaugurate the midnight movie phenomenon. Its success spawned The Holy Mountain, through interventions by John Lennon and Allen Klein. After a scandalous release and a 16-month midnight career, The Holy Mountain was relegated to the underground world of fan bootlegs for over thirty years until its limited restored release in 2007. This short study reveals how The Holy Mountain, a poetic, hilarious, and anarchist cult film by an international auteur, anchored in post-1968 critiques, is - at the same time - an archaeological capsule of the counterculture movement, a timely subversion of mystical tenets, and one of the most mysterious films in the history of world cinema.
410  0$aCultographies.
606   $aCult films
615  0$aCult films.
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