LEADER 03858nam 22007812 450 001 9910455645803321 005 20160415151638.0 010 $a1-107-11983-9 010 $a0-511-01008-7 010 $a1-280-15471-3 010 $a0-511-11848-1 010 $a0-511-15104-7 010 $a0-511-48421-6 010 $a0-511-04988-9 035 $a(CKB)111087027187814 035 $a(EBL)144769 035 $a(OCoLC)475871199 035 $a(SSID)ssj0000239440 035 $a(PQKBManifestationID)11208719 035 $a(PQKBTitleCode)TC0000239440 035 $a(PQKBWorkID)10250201 035 $a(PQKB)10902673 035 $a(UkCbUP)CR9780511484216 035 $a(MiAaPQ)EBC144769 035 $a(Au-PeEL)EBL144769 035 $a(CaPaEBR)ebr10014929 035 $a(CaONFJC)MIL15471 035 $a(EXLCZ)99111087027187814 100 $a20090224d2000|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aRomanticism and the Gothic $egenre, reception, and canon formation /$fMichael Gamer$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2000. 215 $a1 online resource (xiii, 255 pages) $cdigital, PDF file(s) 225 1 $aCambridge studies in Romanticism ;$v40 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-02693-8 311 $a0-521-77328-8 320 $aIncludes bibliographical references (p. 201-245) and index. 327 $aIntroduction: Romanticism's "pageantry of fear" -- Gothic, reception, and production -- Gothic and its contexts -- "Gross and violent stimulants": producing Lyrical ballads 1798 and 1800 -- National supernaturalism: Joanna Baillie, Germany, and the gothic drama -- "To foist thy stale romance": Scott, antiquarianism, and authorship. 330 $aThis is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of Romanticism as an ideology. In doing so he examines the early history of the Romantic movement and its assumptions about literary value, and the politics of reading, writing and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing and audience on its formation. 410 0$aCambridge studies in Romanticism ;$v40. 517 3 $aRomanticism & the Gothic 606 $aEnglish literature$y18th century$xHistory and criticism 606 $aGothic revival (Literature)$zGreat Britain 606 $aEnglish literature$y19th century$xHistory and criticism 606 $aLiterary form$xHistory$y18th century 606 $aLiterary form$xHistory$y19th century 606 $aRomanticism$zGreat Britain 606 $aCanon (Literature) 615 0$aEnglish literature$xHistory and criticism. 615 0$aGothic revival (Literature) 615 0$aEnglish literature$xHistory and criticism. 615 0$aLiterary form$xHistory 615 0$aLiterary form$xHistory 615 0$aRomanticism 615 0$aCanon (Literature) 676 $a820.9/145 700 $aGamer$b Michael$01048117 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910455645803321 996 $aRomanticism and the Gothic$92476143 997 $aUNINA