LEADER 04079nam 22006853u 450 001 9910455582503321 005 20220131102650.0 010 $a1-282-59754-X 010 $a9786612597541 010 $a0-472-02514-7 035 $a(CKB)2520000000006868 035 $a(EBL)3414685 035 $a(OCoLC)1196823280$z(OCoLC)588880962$z(OCoLC)607825905$z(OCoLC)608907576$z(OCoLC)701012092$z(OCoLC)710817029$z(OCoLC)728024756$z(OCoLC)923501911$z(OCoLC)961577331$z(OCoLC)962559846$z(OCoLC)975598656$z(OCoLC)988428963$z(OCoLC)992097580$z(OCoLC)1002327124$z(OCoLC)1018045870$z(OCoLC)1037903287$z(OCoLC)1038659464$z(OCoLC)1044655326$z(OCoLC)1045388119$z(OCoLC)1047910255$z(OCoLC)1050975571$z(OCoLC)1055355170$z(OCoLC)1061030477$z(OCoLC)1066586398$z(OCoLC)1081282586$z(OCoLC)1101723230$z(OCoLC)1103545062$z(OCoLC)1105918894$z(OCoLC)1107410209$z(OCoLC)1109787435$z(OCoLC)1113426924$z(OCoLC)1118999503$z(OCoLC)1119085649$z(OCoLC)1121028776$z(OCoLC)1126041884$z(OCoLC)1126077596$z(OCoLC)1153027863$z(OCoLC)1164783518$z(OCoLC)1178682803$z(OCoLC)1183733253$z(OCoLC)1198705609$z(OCoLC)1228565540$z(OCoLC)1235836427 035 $a(OCoLC)on1196823280 035 $a(SSID)ssj0000343197 035 $a(PQKBManifestationID)11243030 035 $a(PQKBTitleCode)TC0000343197 035 $a(PQKBWorkID)10289890 035 $a(PQKB)11208097 035 $a(MiAaPQ)EBC3414685 035 $a(EXLCZ)992520000000006868 100 $a20160808d2010|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aStaging Philosophy$b[electronic resource] $eIntersections of Theater, Performance, and Philosophy 210 $aAnn Arbor $cUniversity of Michigan Press$d2010 215 $a1 online resource (343 p.) 225 1 $aTheater: Theory/Text/Performance 300 $aDescription based upon print version of record. 311 $a0-472-06950-0 327 $aContents; David Krasner and David Z. Saltz, Introduction; PART I: History and Method; One: Julia A. Walker, The Text/Performance Split across the Analytic/Continental Divide; Two: Martin Puchner, Kenneth Burke: Theater, Philosophy, and the Limits of Performance; Three: Tobin Nellhaus, Critical Realism and Performance Strategies; PART II: Presence; Four: Philip Auslander, Humanoid Boogie: Reflections on Robotic Performance; Five: Noe?l Carroll, Philosophy and Drama: Performance, Interpretation, and Intentionality; Six: Suzanne M. Jaeger, Embodiment and Presence: The Ontology of Presence Recon 327 $aSeven: Jon Erickson, PresenceEight: Robert P. Crease and John Lutterbie, Technique; Nine: Alice Rayner, Presenting Objects, Presenting Things; PART III: Reception; Ten: David Z. Saltz, Infiction and Outfiction: The Role of Fiction in Theatrical Performance; Eleven: James R. Hamilton, Understanding Plays; Twelve: Bence Nanay, Perception, Action, and Identification in the Theater; Thirteen: David Krasner, Empathy and Theater; Fourteen: Mike Sell, The Voice of Blackness: The Black Arts Movement and Logocentrism; Fifteen: Michael L. Quinn, Theatricality, Convention, and the Principle of Charity 327 $aContributorsIndex 410 0$aTheater: Theory/Text/Performance 606 $aPerforming arts -- Philosophy 606 $aPerforming arts -- Social aspects 606 $aPerforming arts$xSocial aspects 606 $aPerforming arts$xPhilosophy 606 $aLiterature - General$2HILCC 606 $aLanguages & Literatures$2HILCC 608 $aElectronic books. 615 4$aPerforming arts -- Philosophy. 615 4$aPerforming arts -- Social aspects. 615 0$aPerforming arts$xSocial aspects 615 0$aPerforming arts$xPhilosophy 615 7$aLiterature - General 615 7$aLanguages & Literatures 676 $a791.01 700 $aKrasner$b David$0909418 701 $aSaltz$b David Z$0948920 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910455582503321 996 $aStaging Philosophy$92145011 997 $aUNINA