LEADER 01192nam0-22003851i-450- 001 990003369650403321 005 20110722123332.0 010 $a88-8422-026-2 035 $a000336965 035 $aFED01000336965 035 $a(Aleph)000336965FED01 035 $a000336965 100 $a20030910d2000----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay-------001yy 200 1 $aDiritto Sindacale$fGino Giugni$gcon la coll. di Pietro Curzio e Mario Govanni Garofalo 210 $aBari$cCacucci$d2000 215 $a302 p + app. di agg.$d24 cm 300 $acontiene appendice di aggiornamento sul completamento della riforma del lavoro pubblico 305 $a5. rist. anastatica dell'ed.1996 610 0 $aDiritto sindacale 676 $a344.450188 700 1$aGiugni,$bGino$f<1927-2009>$033839 702 1$aCurzio,$bPietro 702 1$aGarofalo,$bGiovanni Mario 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990003369650403321 952 $aGRDDL14A(SR)$b11697A$fDECBC 952 $aGRDDL14B(SR)$b11697B$fDECBC 952 $aGRDDL14C(SR)$b11697C$fDECBC 959 $aDECBC 996 $aDiritto sindacale$961452 997 $aUNINA LEADER 04359nam 2200697 a 450 001 9910455494803321 005 20211001030117.0 010 $a1-282-75168-9 010 $a9786612751684 010 $a1-4008-2089-8 010 $a1-4008-1163-5 024 7 $a10.1515/9781400820894 035 $a(CKB)111056486506780 035 $a(EBL)668948 035 $a(OCoLC)707068792 035 $a(SSID)ssj0000207733 035 $a(PQKBManifestationID)11189110 035 $a(PQKBTitleCode)TC0000207733 035 $a(PQKBWorkID)10239388 035 $a(PQKB)10432619 035 $a(MiAaPQ)EBC668948 035 $a(OCoLC)51542397 035 $a(MdBmJHUP)muse35937 035 $a(DE-B1597)446057 035 $a(OCoLC)979741415 035 $a(DE-B1597)9781400820894 035 $a(Au-PeEL)EBL668948 035 $a(CaPaEBR)ebr10035785 035 $a(CaONFJC)MIL275168 035 $a(EXLCZ)99111056486506780 100 $a19920622d1993 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aNabokov's art of memory and European modernism$b[electronic resource] /$fJohn Burt Foster, Jr 205 $aCore Textbook 210 $aPrinceton, N.J. $cPrinceton University Press$dc1993 215 $a1 online resource (279 p.) 300 $aDescription based upon print version of record. 311 0 $a0-691-06971-9 320 $aIncludes bibliographical references (p. [233]-253) and index. 327 $tFront matter --$tCONTENTS --$tPREFACE AND ACKNOWLEDGMENTS --$tNOTE ON CITATIONS --$tPart One: Points of Departure --$tCHAPTER 1. The European Nabokov, the Modernist Moment, and Cultural Biography --$tCHAPTER 2. The Self-Defined Origins of an Artist of Memory --$tCHAPTER 3. The Rejection of Anticipatory Memory --$tPart Two: Toward France --$tCHAPTER 4. Encountering French Modernism --$tCHAPTER 5. From the Personal to the Intertextual --$tCHAPTER 6. Narrative between Art and Memory --$tCHAPTER 7. Memory, Modernism, and the Fictive Autobiographies --$tPart Three: In English --$tCHAPTER 8. Cultural Mobility and British Modernism --$tCHAPTER 9. Autobiographical Images --$tCHAPTER 10. The Cultural Self-Consciousness of Speak, Memory --$tEPILOGUE: Proust over T. S. Eliot in Pale Fire (1962) --$tNOTES --$tINDEX 330 $aDespite Vladimir Nabokov's hostility toward literary labels, he clearly recognized his own place in cultural history. In a fresh approach stressing Nabokov's European context, John Foster shows how this writer's art of memory intersects with early twentieth-century modernism. Tracing his interests in temporal perspective and the mnemonic image, in intertextual "reminiscences," and in individuality amid cultural multiplicity, the book begins with such early Russian novels as Mary, then treats his emerging art of memory from Laughter in the Dark to The Gift. After discussing the author's cultural repositioning in his first English novels, Foster turns to Nabokov's masterpiece as an artist of memory, the autobiography Speak, Memory, and ends with an epilogue on Pale Fire. As a cross-cultural overview of modernism, this book examines how Nabokov navigated among Proust and Bergson, Freud and Mann, and Joyce and Eliot. It also explores his response to Baudelaire and Nietzsche as theorists of modernity, and his sense of Dostoevsky, Tolstoy, and Pushkin as modernist precursors. As an approach to Nabokov, the book reflects the heightened importance of autobiography in current literary study. Other critical issues addressed include Bakhtin's theory of intertextuality, deconstructive views of memory, Benjamin's modernism of memory, and Nabokov's assumptions about modernism as a concept. 606 $aModernism (Literature)$zEurope 606 $aEuropean literature$xHistory and criticism 606 $aAutobiographical memory in literature 608 $aElectronic books. 615 0$aModernism (Literature) 615 0$aEuropean literature$xHistory and criticism. 615 0$aAutobiographical memory in literature. 676 $a813/.54 700 $aFoster$b John Burt$f1945-$01050522 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910455494803321 996 $aNabokov's art of memory and European modernism$92480367 997 $aUNINA