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001 9910455487403321
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010   $a9786613901309
010   $a0-585-46459-6
035   $a(CKB)111087027931850
035   $a(EBL)1354645
035   $a(OCoLC)856870453
035   $a(MiAaPQ)EBC1354645
035   $a(EXLCZ)99111087027931850
100   $a20131216d2012||||  u||            |
101 0 $aeng
135   $aur|n|---|||||
200 10$aVolker Schlondorff's Cinema$b[electronic resource] $eAdaptation, Politics, and the ""Movie-Appropriate""
210   $aCarbondale $cSouthern Illinois University Press$d2012
215   $a1 online resource (384 p.)
300   $aDescription based upon print version of record.
311   $a0-8093-2451-2 
327   $aCover; Book Title; Copyright; Contents; Illustrations; Acknowledgments; 1. Introduction: The Historical Importance of Schlo?ndo; 2. Schlo?ndorff and His Sources; Part One: The Early Schlondorff: Suppression, Pop, and Protest; 3. Young To?rless; 4. A Degree of Murder and "An Uneasy Moment"; 5. Michael Kohlhaas; Part Two: Brechtian and Profeminist Schlondorff; 6. "Amphibious" Movies and Formal Experiments; 7. Baal; 8. The Sudden Wealth of the Poor People of Kombach; 9. The Morals of Ruth Halbfass and Overnight Stay in Tyrol; 10. A Free Woman; 11. Georgina's Reasons
327   $a12. The Lost Honor of Katharina Blum13. Coup de Gra?ce; Part Three: The International Schlondorff; 14. A GermanConsciousness for an International Audience; 15. The Tin Drum; 16. Just for Fun, Just for Play-Kaleidoscope Valeska Gert, The Candidate, and War and Peace; 17. Circle of Deceit; 18. Swann in Love; Part Four: The American Schlondorff; 19. A German Filmmaker in the United States; 20. Death of a Salesman; 21. A Gathering of Old Men; 22. The Handmaid's Tale; Part Five: The Post-Wall Schlondorff; 23. A Filmmaker for the European Community; 24. Voyager; 25. The Ogre
327   $a26. Billy, How Did You Do It? and Palmetto27. The Legend of Rita and "The Perfect Soldier"; 28. Conclusion; Filmography; Appendix: U.S. Film, DVD, and Video Sources; Notes; Works Cited and Consulted; Index; Author Biographies; Back Cover
330   $a         Volker Schlo?ndorff's Cinema: Adaptation, Politics and the "Movie-Appropriate" examines the work of major postwar German director Volker Schlo?ndorff in historical, economic, and artistic contexts. Incorporating a film-by-film, twenty-eight chapter study, Hans-Bernhard Moeller & George Lellis reveal a complexity and formal ambitiousness of Schlo?ndorff that is comparable to that found in Wenders, Herzog, and Fassbinder. In spite of Schlo?ndorff's successes with films like The Lost Honor of Katharina Blum and The 
606   $aSchlo ?ndorff, Volker -- Criticism and interpretation
608   $aElectronic books.
615  4$aSchlo ?ndorff, Volker -- Criticism and interpretation.
676   $a791.43/0233/092
676   $a791.430233092
700   $aMoeller$b Hans Bernhard$01051225
701   $aLellis$b George L$01051226
801  0$bAU-PeEL
801  1$bAU-PeEL
801  2$bAU-PeEL
906   $aBOOK
912   $a9910455487403321
996   $aVolker Schlondorff's Cinema$92481588
997   $aUNINA