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035   $a(EBL)283037
035   $a(OCoLC)70741601
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100   $a20130418d2007||||  u||            |
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aComputers and Art$b[electronic resource]
210   $aBristol $cIntellect$d2007
215   $a1 online resource (161 p.)
300   $aDescription based upon print version of record.
311   $a1-871516-60-9 
327   $aFront Cover; Preliminaries; Contents; Introduction; On drawing a circle; Why use computers to make drawings?; Representing representation: artificial intelligence and drawing; Some trends in computer graphic art; Fatal attraction: print meets computer; A year and a day on the road to Omniana; The art of interactivity: interactive installation from gallery to street; Networks and artworks: the failure of the user-friendly interface; Virtual reality and art; Visual technology and the poetics of knowledge
327   $aPost-modem art, or: Virtual reality as Trojan donkey, or: Horsetail tartan literature groin artArtificial consciousness - artificial art; Back Cover
330   $aInsightful perspectives on the use of the computer as a tool for artists. The approaches taken vary from its historical, philosophical and practical implications to the use of computer technology in art practice. The contributors include an art critic, an educator, a practicing artist and a researcher. The Editor's contribution will look at the potential for future developments in the field, looking at both the artistic and the computational aspects of the field. This collection seeks to bring together the latest theories and advances in the use of computers in art as well as looking in a prac
606   $aArt and technology
606   $aComputer art
606   $aDigital art
608   $aElectronic books.
615  4$aArt and technology.
615  4$aComputer art.
615  4$aDigital art.
676   $a700.105
676   $a702.85
700   $aMealing$b Stuart$0882396
801  0$bAU-PeEL
801  1$bAU-PeEL
801  2$bAU-PeEL
906   $aBOOK
912   $a9910455473603321
996   $aComputers and Art$92128907
997   $aUNINA