LEADER 02426nam 2200589Ia 450 001 9910455467803321 005 20200520144314.0 010 $a1-280-44087-2 010 $a0-19-536163-6 010 $a1-60129-813-7 035 $a(CKB)111004366525790 035 $a(EBL)272352 035 $a(OCoLC)47008864 035 $a(SSID)ssj0000207049 035 $a(PQKBManifestationID)11189473 035 $a(PQKBTitleCode)TC0000207049 035 $a(PQKBWorkID)10235453 035 $a(PQKB)11267522 035 $a(MiAaPQ)EBC4702404 035 $a(MiAaPQ)EBC272352 035 $a(Au-PeEL)EBL272352 035 $a(CaPaEBR)ebr10279494 035 $a(EXLCZ)99111004366525790 100 $a19930517d1997 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMusic and the silent film$b[electronic resource] $econtexts and case studies, 1895-1924 /$fMartin Miller Marks 210 $aNew York $cOxford University Press$d1997 215 $a1 online resource (320 p.) 300 $aRevision of the author's thesis (doctoral)--Harvard University, 1990. 311 $a0-585-35077-9 311 $a0-19-506891-2 320 $aIncludes bibliographical references (p. 221-294) and index. 327 $aContents; Appendix Contents; List of Figures; ONE: Film and Music: An Introduction to Research; TWO: First Stages, Dimly Lit: Sources and Scores Prior to 1910; THREE: Film Scores in America, 1910-14; FOUR: Breil's Score for The Birth of a Nation; FIVE: Erik Satie's Score for Entr'acte; Appendix; Notes; Index 330 $aMost people's view of silent film music is of a pianist playing old scores while watching the flickering screen. This title shows that there was much more to silent films and that often it was planned from the start as an integral part of the film. The author argues that film scores are a major and vibrant part of 20th century music. 606 $aSilent film music$xHistory and criticism 606 $aMotion picture music 608 $aElectronic books. 615 0$aSilent film music$xHistory and criticism. 615 0$aMotion picture music. 676 $a781.5/42 700 $aMarks$b Martin Miller$0980867 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910455467803321 996 $aMusic and the silent film$92238355 997 $aUNINA