LEADER 04669nam 2200757Ia 450 001 9910455443603321 005 20200520144314.0 010 $a1-282-59450-8 010 $a9786612594502 010 $a90-420-2883-1 010 $a1-4416-1332-3 024 7 $a10.1163/9789042028838 035 $a(CKB)1000000000764716 035 $a(EBL)556914 035 $a(OCoLC)659500225 035 $a(SSID)ssj0000135922 035 $a(PQKBManifestationID)12010023 035 $a(PQKBTitleCode)TC0000135922 035 $a(PQKBWorkID)10063992 035 $a(PQKB)11532490 035 $a(MiAaPQ)EBC556914 035 $a(nllekb)BRILL9789042028838 035 $a(Au-PeEL)EBL556914 035 $a(CaPaEBR)ebr10380094 035 $a(CaONFJC)MIL259450 035 $a(EXLCZ)991000000000764716 100 $a20090424d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDecolonizing the lens of power$b[electronic resource] $eindigenous films in North America /$fKerstin Knopf 210 $aAmsterdam [Netherlands] ;$aNew York $cRodopi$d2008 215 $a1 online resource (563 p.) 225 1 $aCross/cultures : readings in the post/colonial literatures in English ;$v100 300 $aDescription based upon print version of record. 311 $a90-420-2543-3 320 $aIncludes bibliographical references (p. [359]-386) and index. 320 $aIncludes filmography (p. 380-384). 327 $aPreliminary Material -- The Foucauldian Lens of Power Decolonized -- A Postcolonial Approach to Indigenous Filmmaking in North America -- Oral Tradition as Reflected in Film -- Short Films -- Dramatic Films -- Conclusion -- Works Cited -- Filmography -- Internet Sources -- Appendix -- Index. 330 $aThis is the first book that comprehensively examines Indigenous filmmaking in North America, as it analyzes in detail a variety of representative films by Canadian and US-American Indigenous filmmakers: two films that contextualize the oral tradition, three short films, and four dramatic films. The book explores how members of colonized groups use the medium of film as a means for cultural and political expression and thus enter the dominant colonial film discourse and create an answering discourse. The theoretical framework is developed as an interdisciplinary approach, combining postcolonialism, Indigenous studies, and film studies. As Indigenous people are gradually taking control over the imagemaking process in the area of film and video, they cease being studied and described objects and become subjects who create self-controlled images of Indigenous cultures. The book explores the translatability of Indigenous oral tradition into film, touching upon the changes the cultural knowledge is subject to in this process, including statements of Indigenous filmmakers on this issue. It also asks whether or not there is a definite Indigenous film practice and whether filmmakers tend to dissociate their work from dominant classical filmmaking, adapt to it, or create new film forms and styles through converging classical film conventions and their conscious violation. This approach presupposes that Indigenous filmmakers are constantly in some state of reaction to Western ethnographic filmmaking and to classical narrative filmmaking and its epitome, the Hollywood narrative cinema. The films analyzed are The Road Allowance People by Maria Campbell, Itam Hakim, Hopiit by Victor Masayesva, Talker by Lloyd Martell, Tenacity and Smoke Signals by Chris Eyre, Overweight With Crooked Teeth and Honey Moccasin by Shelley Niro, Big Bear by Gil Cardinal, and Atanarjuat: The Fast Runner by Zacharias Kunuk. 410 0$aCross/cultures ;$v100. 606 $aIndian motion pictures$zNorth America 606 $aEthnographic films$zNorth America 606 $aIndians in the motion picture industry$zNorth America 606 $aIndians in motion pictures 606 $aIndian mass media$zNorth America 606 $aIndigenous peoples and mass media$zNorth America 608 $aElectronic books. 615 0$aIndian motion pictures 615 0$aEthnographic films 615 0$aIndians in the motion picture industry 615 0$aIndians in motion pictures. 615 0$aIndian mass media 615 0$aIndigenous peoples and mass media 676 $a791.4308997 676 $a808.823 700 $aKnopf$b Kerstin$0931099 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910455443603321 996 $aDecolonizing the lens of power$92094441 997 $aUNINA LEADER 02434 am 2200625 n 450 001 9910169189703321 005 20160101 010 $a2-37546-052-9 024 7 $a10.4000/books.pressesenssib.1775 035 $a(CKB)3710000001157403 035 $a(FrMaCLE)OB-pressesenssib-1775 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/61597 035 $a(PPN)20267343X 035 $a(EXLCZ)993710000001157403 100 $a20170404j|||||||| ||| 0 101 0 $afre 135 $auu||||||m|||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aUne voix qui manque toujours : journées d?hommage à Jean Gattégno /$fThierry Ermakoff 210 $aVilleurbanne $cPresses de l?enssib$d2016 311 $a2-37546-002-2 330 $aJean Gattégno, spécialiste de littérature anglaise, haut fonctionnaire, ancien directeur du livre et de la lecture de 1981 à 1989, nous a quittés le 31 mai 1994. Les 13 et 14 juin 2014, deux journées d?hommage lui ont été rendues à l?Enssib. Avec, entre autres, les témoignages de Véronique Chatenay-Dolto, Valérie Tesnière, Nicolas Galaud, Gérald Grunberg, Christian Thorel, Benoit Tuleu, et une introduction de Marc Olivier Baruch. 517 $aUne voix qui manque toujours 517 $aUne voix qui manque toujours  606 $aLibrary, Information & Communication sciences 606 $alivres 606 $alecture 606 $abibliothèques 606 $aculture 610 $aculture 610 $abibliothèques 610 $alecture 610 $alivres 615 4$aLibrary, Information & Communication sciences 615 4$alivres 615 4$alecture 615 4$abibliothèques 615 4$aculture 700 $aBaruch$b Marc Olivier$01308669 701 $aChatenay-Dolto$b Véronique$01281656 701 $aGalaud$b Nicolas$01281657 701 $aGrunberg$b Gérald$01281658 701 $aLlavori$b Denis$01281659 701 $aSuard$b François$0386592 701 $aTesnière$b Valérie$01281660 701 $aThorel$b Christian$01281661 701 $aTuleu$b Benoît$01281662 701 $aErmakoff$b Thierry$01281663 801 0$bFR-FrMaCLE 906 $aBOOK 912 $a9910169189703321 996 $aUne voix qui manque toujours : journées d?hommage à Jean Gattégno$93384657 997 $aUNINA