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100   $a20090424d2009      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aFraming consciousness in art$b[electronic resource] $etranscultural perspectives /$fGregory Minissale
210   $aAmsterdam ;$aNew York, NY $cRodopi$d2009
215   $a1 online resource (391 p.)
225 1 $aConsciousness, literature & the arts,$x1573-2193 ;$v20
300   $aDescription based upon print version of record.
311   $a90-420-2581-6 
320   $aIncludes bibliographical references and index.
327   $aPreliminary Material -- Acknowledgments -- Introduction -- Framing Art History -- Framing Philosophy -- Framing Consciousness Studies -- Framing Consciousness in Art -- Bibliography -- Index.
330   $aFraming Consciousness in Art shows how the frames-in-frames in these different contexts question notions of vision and representation, linear time, conventional spatial coordinates, binaries of ?internal? consciousness and ?external? world, subject and object, and the precise anatomy of mental states by which we are meant to carve up the territory of consciousness. The phenomenological experience of art is certainly as important as the folk psychology which scientists and philosophers use to taxonomise ordinary first-person modes of subjectivity. Yet art excels in configuring the visual field in order to articulate and sustain a complex network of higher-order thoughts structuring art and consciousness.
410  0$aConsciousness, literature & the arts ;$v20.
606   $aConsciousness in art
606   $aArt and society
608   $aElectronic books.
615  0$aConsciousness in art.
615  0$aArt and society.
676   $a700.1
700   $aMinissale$b Gregory$0957144
801  0$bMiAaPQ
801  1$bMiAaPQ
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906   $aBOOK
912   $a9910455432903321
996   $aFraming consciousness in art$92168065
997   $aUNINA