LEADER 02104nam 2200541 a 450 001 9910455401003321 005 20200520144314.0 010 $a1-282-13893-6 010 $a9786613808233 010 $a0-8093-8676-3 010 $a1-4416-2342-6 035 $a(CKB)1000000000806011 035 $a(OCoLC)459794779 035 $a(CaPaEBR)ebrary10582739 035 $a(SSID)ssj0000216536 035 $a(PQKBManifestationID)11197939 035 $a(PQKBTitleCode)TC0000216536 035 $a(PQKBWorkID)10197098 035 $a(PQKB)10250056 035 $a(MiAaPQ)EBC3035071 035 $a(MdBmJHUP)muse5189 035 $a(Au-PeEL)EBL3035071 035 $a(CaPaEBR)ebr10582739 035 $a(CaONFJC)MIL380823 035 $a(EXLCZ)991000000000806011 100 $a20080828d2009 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aOrson Welles and the unfinished RKO projects$b[electronic resource] $ea postmodern perspective /$fMarguerite H. Rippy 210 $aCarbondale $cSouthern Illinois University Press$dc2009 215 $a1 online resource (249 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8093-2912-3 320 $aIncludes bibliographical references (p. 207-214) and index. 327 $aPostmodern auteur? Approaches to the unfinished Wellesian works -- Origins of the first-person singular : mercurial theatre on the air -- Classics for the masses : Dickens and Welles -- Exploiters in surroundings not healthy for a white man : primitivism and the identity detour -- R is for Real : documentary fiction in It's all true -- Wellesian legacies : what, if anything, do Mel Gibson, Stephen Colbert, and Steven Spielberg have in common?. 608 $aElectronic books. 676 $a791.4302/33092 700 $aRippy$b Marguerite H.$f1967-$0996628 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910455401003321 996 $aOrson Welles and the unfinished RKO projects$92285027 997 $aUNINA