LEADER 03846nam 22007452 450 001 9910455349003321 005 20151005020622.0 010 $a1-107-11654-6 010 $a0-511-05185-9 010 $a0-511-48581-6 010 $a9786610153756 010 $a0-511-15599-9 010 $a0-511-32900-8 010 $a0-511-11743-4 010 $a0-521-64296-5 010 $a1-280-15375-X 035 $a(CKB)111056485621432 035 $a(EBL)201931 035 $a(OCoLC)475916290 035 $a(SSID)ssj0000275302 035 $a(PQKBManifestationID)11210173 035 $a(PQKBTitleCode)TC0000275302 035 $a(PQKBWorkID)10340441 035 $a(PQKB)10100129 035 $a(UkCbUP)CR9780511485817 035 $a(MiAaPQ)EBC201931 035 $a(Au-PeEL)EBL201931 035 $a(CaPaEBR)ebr10065233 035 $a(CaONFJC)MIL15375 035 $a(EXLCZ)99111056485621432 100 $a20090226d2001|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aWriting marginality in modern French literature $efrom Loti to Genet /$fEdward J. Hughes$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2001. 215 $a1 online resource (xii, 209 pages) $cdigital, PDF file(s) 225 1 $aCambridge studies in French ;$v67 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-02578-8 311 $a0-511-01594-1 320 $aIncludes bibliographical references (p. 189-195) and index. 327 $aWithout obligation : exotic appropriation in Loti and Gauguin -- Exemplary inclusions, indecent exclusons in Proust's Recherche -- Claimimg cultural dissidence : the case of Montherlant's La Rose de sable -- Camus and the resistance to history -- Peripheries, public and private : Genet and dispossession. 330 $aWriting Marginality in Modern French Literature, first published in 2001, explores how cultural centres require the peripheral, the outlawed and the deviant in order to define and bolster themselves. It analyses the hierarchies of cultural value which inform the work of six modern French writers: the exoticist Pierre Loti; Paul Gauguin, whose Noa Noa enacts European fantasies about Polynesia; Proust, who analyses such exemplary figures of exclusion and inclusion as the homosexual and the xenophobe; Montherlant, who claims to subvert colonialist values in La Rose de sable; Camus, who pleads an alienating detachment from the cultures of both metropolitan France and Algeria; and Jean Genet. Crucially Genet, who was typecast as France's moral pariah, in charting Palestinian statelessness in his last work, Un Captif amoureux (1986), reflects ethically on the dispossession of the Other and the violence inherent in the West's marginalization of cultural difference. 410 0$aCambridge studies in French ;$v67. 606 $aFrench literature$y19th century$xHistory and criticism 606 $aFrench literature$y20th century$xHistory and criticism 606 $aMarginality, Social, in literature 606 $aLiterature and society$zFrance$xHistory$y19th century 606 $aLiterature and society$zFrance$xHistory$y20th century 615 0$aFrench literature$xHistory and criticism. 615 0$aFrench literature$xHistory and criticism. 615 0$aMarginality, Social, in literature. 615 0$aLiterature and society$xHistory 615 0$aLiterature and society$xHistory 676 $a840.9/355 700 $aHughes$b Edward J$g(Edward Joseph),$f1953-$0853623 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910455349003321 996 $aWriting marginality in modern French literature$91905974 997 $aUNINA