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135   $aur|n|---|||||
181   $ctxt
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183   $acr
200 10$aThis wounded cinema, this wounded life$b[electronic resource] $eviolence and utopia in the films of Sam Peckinpah /$fGabrielle Murray
210   $aWestport, Conn. $cPraeger$d2004
215   $a1 online resource (172 p.)
300   $aDescription based upon print version of record.
311   $a0-275-98058-8 
320   $aIncludes filmography: p. [131].
320   $aIncludes bibliographical references (p. [153]-156) and index.
327   $aContents; Acknowledgments; Introduction; 1 This Wounded Cinema, This Wounded Life; 2 Dead to the World; 3 Deep Play: Rituals of Violence and Enchantment; 4 Persevering in Our Existence; 5 The Savage, or "Let Love In!"; Conclusion; Sam Peckinpah Filmography; Notes; Selected Bibliography; Index
330   $aFilm scholarship has largely failed to address the complex and paradoxical nature of the films of Sam Peckinpah, focusing primarily on the violence of movies such as The Wild Bunch and Straw Dogs while ignoring the poetry and gentility of lesser-known pictures including The Ballad of Cable Hogue and Junior Bonner. Serving as a necessary corrective, Gabrielle Murray's This Wounded Cinema, This Wounded Life: Violence and Utopia in the Films of Sam Peckinpah offers a better understanding of the work of this landmark director through close readings of both his famous and less-famous works.||Placin
608   $aElectronic books.
676   $a791.4302/33/092
700   $aMurray$b Gabrielle$0972366
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910455287103321
996   $aThis wounded cinema, this wounded life$92211077
997   $aUNINA