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035   $a(PQKBTitleCode)TC0000122277
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100   $a20180331d1993      uy             0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aCinema and spectatorship /$fJudith Mayne
210  1$aLondon ;$aNew York :$cRoutledge,$d1993.
215   $a1 online resource (198 p.)
225 1 $aSightlines
300   $aDescription based upon print version of record.
311   $a1-138-13644-1 
311   $a0-415-03416-7 
320   $aIncludes bibliographical references and index.
327   $aBook Cover; Title; Contents; List of illustrations; Acknowledgements; Introduction; THE SUBJECT OF SPECTATORSHIP; SPECTATORSHIP AS INSTITUTION; SPECTATORSHIP RECONSIDERED; PARADOXES OF SPECTATORSHIP; TEXTUAL ANALYSIS AND PORTRAITS OF SPECTATORSHIP; STAR-GAZING; WHITE SPECTATORSHIP AND GENRE-MIXING; THE CRITICAL AUDIENCE; Works cited; Index
330   $aCinema and Spectatorship is the first book to focus entirely on the history and role of the spectator in contemporary film studies. While 1970's film theory insisted on a distinction between the cinematic subject and film-goers, Judith Mayne suggests that a very real friction between ""subjects"" and ""viewers"" is in fact central to the study of spectatorship. In the book's first section Mayne examines three theoretical models of spectatorship: the perceptual, the institutional and the historical, while the second section focuses on case studies which crystallize many of the issue
410  0$aSightlines (London, England)
606   $aMotion picture audiences
608   $aElectronic books.
615  0$aMotion picture audiences.
676   $a791.43/015
700   $aMayne$b Judith.$0780764
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910455279703321
996   $aCinema and Spectatorship$91731081
997   $aUNINA