LEADER 06784nam 2200685Ia 450 001 9910455260303321 005 20200520144314.0 010 $a1-282-36086-8 010 $a9786612360862 010 $a0-520-94309-0 024 7 $a10.1525/9780520943094 035 $a(CKB)1000000000807251 035 $a(EBL)470929 035 $a(OCoLC)609850067 035 $a(SSID)ssj0000293994 035 $a(PQKBManifestationID)12098592 035 $a(PQKBTitleCode)TC0000293994 035 $a(PQKBWorkID)10302952 035 $a(PQKB)11263558 035 $a(MiAaPQ)EBC470929 035 $a(DE-B1597)519406 035 $a(OCoLC)1110259523 035 $a(DE-B1597)9780520943094 035 $a(Au-PeEL)EBL470929 035 $a(CaPaEBR)ebr10675688 035 $a(CaONFJC)MIL236086 035 $a(EXLCZ)991000000000807251 100 $a20080611d2009 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDigging$b[electronic resource] $ethe Afro-American soul of American classical music /$fAmiri Baraka 210 $aBerkeley $cUniversity of California Press$dc2009 215 $a1 online resource (425 p.) 225 0 $aMusic of the African diaspora ;$v13 300 $a"George Gund Foundation imprint in African American studies". 311 $a0-520-26582-3 311 $a0-520-25715-4 320 $aIncludes discographies. 327 $tDigging --$tFrontmatter --$tMUSIC OF THE AFRICAN DIASPORA --$tContents --$tIntroduction --$tPart One: Essays --$t1. Griot/Djali: Poetry, Music, History, Message --$t2. Miles Later --$t3. The "Blues Aesthetic" and the "Black Aesthetic": Aesthetics as the Continuing Political History of a Culture --$t4. Blues People: Looking Both Ways --$t5. Rhythm --$t6. The American Popular Song: "The Great American Song Book" --$t7. Blues Line --$t8. Cosby and the Music --$t9. Nina Returns --$t10. Jazz Criticism and Its Effect on the Music --$t11. Not "the Boss": Bruce Springsteen --$t12. Wynton Marsalis: Black Codes (from the Underground) --$t13. "The International Business of Jazz" and the Need for the Cooperative and Collective Self-Development of an International People's Culture --$t14. Newark's' "Coast" and the Hidden Legacy of Urban Culture --$t15. Black Music as a Force for Social Change --$t16. What You Mean, Du Wop? --$t17. Classical American Music --$t18. Singers and the Music: A Theater Piece --$t19. Newark's Influence on American Music --$t20. Ritual and Performance --$t21. Bopera Theory --$t22. "Jazz and the White Critic": Thirty Years Later --$t23. Random Notes on the Last Decade --$tPart Two: Great Musicians --$t24. Panthalassa: Miles Davis --$t25. When Miles Split! --$t26. David Murray, Ming's Samba --$t27. David Murray, Fo Deuk Revue --$t28. David Murray, Addenda to a Concert --$t29. On Reissuing Trane --$t30. John Coltrane: Why His Legacy Continues --$t31. Some Memories of Alan Shorter: Interview with Wayne Shorter --$t32. High Art: Art Tatum --$t33. Max Roach at the Iridium --$t34. Paris Max --$t35. The Great Max Roach --$t36. Billie Holiday --$t37. The High Priest of BeBop --$t38. Eric Dolphy: A Note --$t39. Jackie Mc --$t40. It Ain't about You --$t41. You Ever Hear Albert Ayler? --$t42. Albert's Will --$t43. Sassy Was Definitely Not the Avon Lady --$t44. Fred --$t45. Fred Hopkins's Memorial --$t46. Duke Ellington: The Music's "Great Spirit" --$t47. Duke Was a Very Great Pianist! --$t48. Blind Tom: The Continuity of Americana --$t49. Don Pullen Leaves Us --$t50. Black History Month Rediscovers "the Music" in New York City --$t51. Black History Month Rediscovers "the Music," Part 2: The Charles Tolliver Big Band at the Jazz Standard --$t52. Wonderful Stevie --$t53. Abbey Lincoln --$t54. Four Tough Good-byes: Jackie McLean, John Hicks, Hilton Ruiz, Halim Suliman --$tPart Three: Notes, Reviews, and Observations --$t55. Impulse Sampler, Act on Impulse --$t56. Ralph Peterson --$t57. Andrew Cyrille, Good to Go --$t58. Odean Pope Saxophone Choir, Epitome --$t59. Ravi Coltrane, Moving Pictures --$t60. Donal Fox and David Murray, Ugly Beauty --$t61. Tyrone Jefferson, Connections --$t62. James Moody --$t63. Barry Harris: In the Tradition --$t64. Pharoah Sanders, Shukuru --$t65. Don Pullen-George Adams Quartet, Breakthrough --$t66. Von and Chico Freeman, Freeman and Freeman --$t67. Alan Shorter, Orgasm --$t68. The Work Man: Reggie Workman --$t69. Roscoe Mitchell and the Note Factory --$t70. Jimmy Scott, But Beautiful --$t71. Malachi Thompson, Talking Horns --$t72. The Nexus Orchestra, Seize the Time --$t73. Three Fresh Ticklers --$t74. Rodney Kendrick, Last Chance for Common Sense --$t75. Jazz Times Review, Multiple Artists --$t76. More Young Bloods to the Rescue! --$t77. Vijay Iyer, Memorophilia --$t78. TriFactor, If You Believe --$t79. Live Lessons --$t80. New York Art Quintet --$t81. Peter Brötzmann, Nipples, and Joe McPhee, Nation Time --$t82. Jon Jang and David Murray, River of Life --$t83. Trio Three, Encounter --$t84. Jackie Mc-Coming and Going 330 $aFor almost half a century, Amiri Baraka has ranked among the most important commentators on African American music and culture. In this brilliant assemblage of his writings on music, the first such collection in nearly twenty years, Baraka blends autobiography, history, musical analysis, and political commentary to recall the sounds, people, times, and places he's encountered. As in his earlier classics, Blues People and Black Music, Baraka offers essays on the famous-Max Roach, Charlie Parker, Miles Davis, John Coltrane-and on those whose names are known mainly by jazz aficionados-Alan Shorter, Jon Jang, and Malachi Thompson. Baraka's literary style, with its deep roots in poetry, makes palpable his love and respect for his jazz musician friends. His energy and enthusiasm show us again how much Coltrane, Albert Ayler, and the others he lovingly considers mattered. He brings home to us how music itself matters, and how musicians carry and extend that knowledge from generation to generation, providing us, their listeners, with a sense of meaning and belonging. 410 0$aMusic of the African diaspora ;$v13. 606 $aAfrican Americans$xMusic$xHistory and criticism 606 $aMusic$xHistory and criticism 606 $aAfrican American musicians 608 $aElectronic books. 615 0$aAfrican Americans$xMusic$xHistory and criticism. 615 0$aMusic$xHistory and criticism. 615 0$aAfrican American musicians. 676 $a780.89/96073 700 $aBaraka$b Imamu Amiri$f1934-$0142618 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910455260303321 996 $aDigging$92451238 997 $aUNINA LEADER 01360nam0 22002891i 450 001 UON00039757 005 20231205102140.381 100 $a20020107d1965 |0itac50 ba 101 $aara$aFRE 102 $aLB 105 $a|||| 1|||| 200 1 $aAsr Awgustus Qaysar wa hulafa 44-69 M. 2$eAl-idara, al-siyasa, al-harb$dLe siécle d'Auguste$eorganisation interne, politique, conflits armés$fAsad Rustum 210 $aBayrut$cMansurat al-gami'a al-Lubnaniyya$d1965 215 $a229 p.$d25 cm 410 1$1001UON00065567$12001 $aPublications de l'Université Libanaise. Section des Etudes Historiques$v9 510 1$3UON00355734$aˆLe ‰siécle d'Auguste : Organization interne, politique, conflits armés 606 $aImpero romano$xStoria$xSec. I$3UONC013434$2FI 620 $aLB$dBair?t$3UONL000162 686 $aVOC IV$cVICINO ORIENTE CLASSICO-STORIA$2A 700 1$aRUSTUM$bAsad J.$3UONV025234$0431868 712 $aMansurat al-gami'a al-Lubnaniyya$3UONV252322$4650 801 $aIT$bSOL$c20250926$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00039757 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI VOC IV 023 $eSI AR 1492 5 023 996 $aAsr Awgustus Qaysar wa hulafa 44-69 M. 2$91849224 997 $aUNIOR