LEADER 03273nam 2200661Ia 450 001 9910455248503321 005 20200520144314.0 010 $a1-282-32875-1 010 $a9786612328756 010 $a0-19-971432-0 035 $a(CKB)1000000000807235 035 $a(EBL)472338 035 $a(OCoLC)472465956 035 $a(SSID)ssj0000338486 035 $a(PQKBManifestationID)11254934 035 $a(PQKBTitleCode)TC0000338486 035 $a(PQKBWorkID)10298563 035 $a(PQKB)11724658 035 $a(MiAaPQ)EBC472338 035 $a(Au-PeEL)EBL472338 035 $a(CaPaEBR)ebr10346510 035 $a(CaONFJC)MIL232875 035 $a(EXLCZ)991000000000807235 100 $a20081110d2009 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aHard hats, rednecks, and macho men$b[electronic resource] $eclass in 1970s American cinema /$fDerek Nystrom 210 $aNew York $cOxford University Press$d2009 215 $a1 online resource (264 p.) 300 $aDescription based upon print version of record. 311 $a0-19-533676-3 320 $aIncludes bibliographical references and index. 327 $aContents; Introduction: Making Class Visible in Film and Cultural Studies; PART I: HARD HATS AND MOVIE BRATS; 1 Class and the Youth-Cult Cycle; PART II: REDNECKS AND GOOD OLE BOYS: THE RISE OF THE SOUTHERN; 2 Deliverance, An Allegory of the Sunbelt; 3 Keep On Truckin': The Southern Cycle and the Invention of the Good Ole Boy; PART III: MACHO MEN AND THE NEW NIGHTLIFE FILM; 4 Saturday Night Fever and the Queering of the White, Working-Class Male Body; 5 Extra Masculinity: Looking for Mr. Goodbar and Cruising; Conclusion: Working-Class Solidarity and Its Others 327 $aAfterword: Hard Hats Revisited: The Labor of 9/11Notes; Works Cited; Index; 330 $aEverywhere you look in 1970's American cinema, you find white working-class men. They bring a violent conclusion to Easy Rider, murdering the film's representatives of countercultural alienation and disaffection. They lurk in the Georgia woods of Deliverance, attacking outsiders in a manner that evokes the South's recent history of racial violence and upheaval. They haunt the singles nightclubs of Looking for Mr. Goodbar, threatening the film's newly liberated heroine with patriarchal violence. They strut through the disco clubs of Saturday Night Fever, dancing to music whose roots in... 606 $aWorking class in motion pictures 606 $aRednecks in motion pictures 606 $aMen, White, in motion pictures 606 $aMasculinity in motion pictures 606 $aMotion pictures$zUnited States$xHistory$y20th century 608 $aElectronic books. 615 0$aWorking class in motion pictures. 615 0$aRednecks in motion pictures. 615 0$aMen, White, in motion pictures. 615 0$aMasculinity in motion pictures. 615 0$aMotion pictures$xHistory 676 $a791.43635262 700 $aNystrom$b Derek$0851203 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910455248503321 996 $aHard hats, rednecks, and macho men$91900564 997 $aUNINA