LEADER 01836nam 2200589 a 450 001 9910454139903321 005 20210114202734.0 010 $a1-282-16271-3 010 $a9786612162718 010 $a90-272-9845-9 035 $a(CKB)1000000000579116 035 $a(OCoLC)70767553 035 $a(CaPaEBR)ebrary5000142 035 $a(SSID)ssj0000281251 035 $a(PQKBManifestationID)11222348 035 $a(PQKBTitleCode)TC0000281251 035 $a(PQKBWorkID)10300855 035 $a(PQKB)10983826 035 $a(MiAaPQ)EBC622732 035 $a(EXLCZ)991000000000579116 100 $a20150424d2000|||| s|| | 101 0 $aeng 181 $ctxt 182 $cc 183 $acr 200 10$aLanguage Acquisition and the Form of the Grammar$b[electronic resource] 210 $aPhiladelphia, PA, USA$cJohn Benjamins Publishing Company$d20001001 210 $cJohn Benjamins Publishing Company 215 $a1 online resource (307 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-55619-858-2 311 $a90-272-2565-6 606 $aLANGUAGE ARTS & DISCIPLINES$2bisac 606 $aLinguistics / General$2bisac 606 $aLanguage acquisition 606 $aGenerative grammar 606 $aPhilology & Linguistics$2HILCC 606 $aLanguages & Literatures$2HILCC 615 7$aLANGUAGE ARTS & DISCIPLINES 615 7$aLinguistics / General 615 0$aLanguage acquisition 615 0$aGenerative grammar 615 7$aPhilology & Linguistics 615 7$aLanguages & Literatures 676 $a401/.93 700 $aLebeaux$b David$0932630 702 $aLEBEAUX$b David 801 0$bPQKB 906 $aBOOK 912 $a9910454139903321 996 $aLanguage Acquisition and the Form of the Grammar$92098740 997 $aUNINA LEADER 02569oam 2200661I 450 001 9910455217603321 005 20200520144314.0 010 $a1-134-56263-2 010 $a1-280-31797-3 010 $a0-203-46894-5 010 $a0-203-24483-4 024 7 $a10.4324/9780203468944 035 $a(CKB)111056485545380 035 $a(EBL)167079 035 $a(OCoLC)808001565 035 $a(SSID)ssj0000099577 035 $a(PQKBManifestationID)11124671 035 $a(PQKBTitleCode)TC0000099577 035 $a(PQKBWorkID)10014372 035 $a(PQKB)10483975 035 $a(MiAaPQ)EBC167079 035 $a(Au-PeEL)EBL167079 035 $a(CaPaEBR)ebr10054264 035 $a(CaONFJC)MIL31797 035 $a(OCoLC)52053714 035 $a(EXLCZ)99111056485545380 100 $a20180331d2000 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAesthetic order $ea philosophy of order, beauty and art /$fRuth Lorand 210 1$aLondon ;$aNew York :$cRoutledge,$d2000. 215 $a1 online resource (337 p.) 225 1 $aRoutledge studies in twentieth century philosophy 300 $aDescription based upon print version of record. 311 $a0-415-64574-3 311 $a0-415-23602-9 320 $aIncludes bibliographical references and index. 327 $aBook Cover; Title; Contents; Acknowledgements; Permissions; Introduction; Understanding order; What is order?; What is disorder?; Two types of order; Discursive order: the conventional concept; Beyond discursive order; Bergson: the unpredictable order; Aesthetic order: quantitative analysis; Aesthetic order: qualitative analysis (I); Aesthetic order: qualitative analysis (II); Relations and interactions; Aesthetic queries; Understanding beauty; Defining art; References; Index 330 $aAesthetic Order challenges contemporary theories of aesthetics, offering the idea of beauty as quantitative yet different from the traditional discursive order. It will be of importance to all interested in aesthetic theory. 410 0$aRoutledge studies in twentieth century philosophy. 606 $aAesthetics 606 $aPhilosophy 608 $aElectronic books. 615 0$aAesthetics. 615 0$aPhilosophy. 676 $a111.85 676 $a111/.85 700 $aLorand$b Ruth.$0930179 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910455217603321 996 $aAesthetic order$92092230 997 $aUNINA LEADER 04307 am 22006253u 450 001 996207550903316 005 20230621140313.0 010 $a9949-11-306-7 035 $a(CKB)2670000000212603 035 $a(SSID)ssj0000986004 035 $a(PQKBManifestationID)11503001 035 $a(PQKBTitleCode)TC0000986004 035 $a(PQKBWorkID)10933429 035 $a(PQKB)10821224 035 $a(WaSeSS)Ind00074202 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/30118 035 $a(EXLCZ)992670000000212603 100 $a20160829d2012 uy 0 101 0 $aeng 135 $aurm|#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe models of space, time and vision in V. Nabokov's fiction $enarrative strategies and cultural frames /$fMarina Grishakova 210 $aTartu$cUniversity of Tartu Press$d2012 210 31$aEstonia :$cTartu University Press,$d2012 215 $a1 online resource (322 pages) $cillustrations; digital, PDF file(s) 225 1 $aTartu Semiotics Library ;$v5 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$aPrint version: 9789949113064 320 $aIncludes bibliographical references and index. 327 $aAcknowledgments -- Introduction -- I. Models and Metaphors -- II. The Models of Time -- III. The Model of the Observer -- IV. The Models of Vision -- V. The Doubles and Mirrors --Conclusion -- Bibliography -- Index. 330 $aMarina Grishakova belongs to the younger generation scholars of the Tartu-Moscow school of semiotics. Her book is part of a semio-narratological tradition of a single author or a single work research that tackles issues of wider theoretical import: applicability of the concept of ?modeling? in the humanities, theory of mimesis and the function of experimental literature in (post)modernist culture. By drawing on Y. Lotman?s conception of artistic models, the book adopts the semiotic perspective on modeling as an open-ended heuristic process underlying the logic of discovery and creative thinking. The book discusses the models of time and memory in modernist culture (Nietzsche?s and Bergson?s philosophy of time, Minkowski?s research on the psychopathological types of temporality) and their relevance to Nabokov?s fiction; popular-scientific notions of serialism and the fourth dimension; thematizations of the observer in modernist philosophy and arts; visual ?prostheses? and ?machines? (Eco), particularly the ?camera vision? metaphor, its relation to Bergson?s notion of automatism and the popular idea of the criminal use of hypnosis. Vision is thematized also as a means of seduction and noncoercive control. Even before Foucault, Baudrillard and other critics of modernity, Nabokov noticed that advertising, political propaganda and erotic seduction alike employ implicit forms of suggestion. The book revises Rorty?s dilemma of ?autonomy? and ?solidarity? as applied to Nabokov?s work and offers new readings. It considers categories of narrative poetics as forms of cultural encoding that broaden and transform reader?s modes of perception and sense-making. Micro-models active in certain contexts or in the works of certain authors function as mobile interfaces between individual sensibilities and complex cultural chrono- and spatio-types where time and space take on conceptual meaning. 410 0$aTartu semiotics library ;$v5. 606 $aLanguages & Literatures$2HILCC 606 $aSlavic, Baltic and Albanian Languages & Literatures$2HILCC 610 $atime and space in literature and philosophy 610 $asemiotics 610 $aVladimir Nabokov 610 $asemiotic models 610 $anarratology 610 $aRussian literature 610 $amodernism 610 $avisual studies 610 $aAmerican literature 610 $ametaphor 615 7$aLanguages & Literatures 615 7$aSlavic, Baltic and Albanian Languages & Literatures 700 $aGrishakova$b Marina$0801844 801 0$bPQKB 801 2$bUkMaJRU 906 $aBOOK 912 $a996207550903316 996 $aThe models of space, time and vision in V. Nabokov's fiction$92195272 997 $aUNISA