LEADER 03341nam 2200697 a 450 001 9910455167403321 005 20200520144314.0 010 $a0-300-15612-X 010 $a1-282-35234-2 010 $a9786612352348 010 $a1-282-08859-9 010 $a9786612088599 024 7 $a10.12987/9780300156126 035 $a(CKB)1000000000764780 035 $a(OCoLC)379478106 035 $a(CaPaEBR)ebrary10348469 035 $a(SSID)ssj0000102314 035 $a(PQKBManifestationID)11133144 035 $a(PQKBTitleCode)TC0000102314 035 $a(PQKBWorkID)10050400 035 $a(PQKB)11411839 035 $a(MiAaPQ)EBC3420572 035 $a(DE-B1597)486210 035 $a(DE-B1597)9780300156126 035 $a(MiAaPQ)EBC5122084 035 $a(Au-PeEL)EBL3420572 035 $a(CaPaEBR)ebr10348469 035 $a(CaONFJC)MIL208859 035 $a(OCoLC)923594587 035 $a(Au-PeEL)EBL5122084 035 $a(CaONFJC)MIL235234 035 $a(OCoLC)994514786 035 $a(EXLCZ)991000000000764780 100 $a20080929d2009 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe American play$b[electronic resource] $e1787-2000 /$fMarc Robinson 210 $aNew Haven $cYale University Press$dc2009 215 $a1 online resource (415 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-300-11649-7 320 $aIncludes bibliographical references (p. 355-390) and index. 327 $aIntroduction -- 1. Envisioning the Nineteenth Century -- 2. Staging the Civil War -- 3. Realism against Itself -- 4. The Borders of Modernism -- 5. Between the Acts -- 6. Changing Decorum -- 7. Returning to Neutral. 330 $aIn this brilliant study, Marc Robinson explores more than two hundred years of plays, styles, and stagings of American theater. Mapping the changing cultural landscape from the late eighteenth century to the start of the twenty-first, he explores how theater has-and has not-changed and offers close readings of plays by O'Neill, Stein, Wilder, Miller, and Albee, as well as by important but perhaps lesser known dramatists such as Wallace Stevens, Jean Toomer, Djuna Barnes, and many others. Robinson reads each work in an ambitiously interdisciplinary context, linking advances in theater to developments in American literature, dance, and visual art. The author is particularly attentive to the continuities in American drama, and expertly teases out recurring themes, such as the significance of visuality. He avoids neatly categorizing nineteenth- and twentieth-century plays and depicts a theater more restive and mercurial than has been recognized before. Robinson proves both a fascinating and thought-provoking critic and a spirited guide to the history of American drama. 606 $aAmerican drama$xHistory and criticism 606 $aTheater$zUnited States$xHistory 608 $aElectronic books. 615 0$aAmerican drama$xHistory and criticism. 615 0$aTheater$xHistory. 676 $a812/.009 700 $aRobinson$b Marc$f1962-$01056208 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910455167403321 996 $aThe American play$92490384 997 $aUNINA LEADER 03048nam 2200649Ia 450 001 9910788384703321 005 20230801232027.0 010 $a1-60938-094-0 035 $a(CKB)3170000000046371 035 $a(EBL)912122 035 $a(OCoLC)793166887 035 $a(SSID)ssj0000601766 035 $a(PQKBManifestationID)11349133 035 $a(PQKBTitleCode)TC0000601766 035 $a(PQKBWorkID)10568205 035 $a(PQKB)11613728 035 $a(MiAaPQ)EBC912122 035 $a(OCoLC)782918055 035 $a(MdBmJHUP)muse16242 035 $a(Au-PeEL)EBL912122 035 $a(CaPaEBR)ebr10551804 035 $a(EXLCZ)993170000000046371 100 $a20110922d2012 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPurple passages$b[electronic resource] $ePound, Eliot, Zukofsky, Olson, Creeley, and the ends of patriarchal poetry /$fRachel Blau DuPlessis 210 $aIowa City $cUniversity of Iowa Press$dc2012 215 $a1 online resource (262 p.) 225 1 $aContemporary North American poetry series 300 $aDescription based upon print version of record. 311 $a1-60938-084-3 320 $aIncludes bibliographical references and index. 327 $aContents; Acknowledgments; Part One; 1. Manifesting Literary Feminism; 2. Pound Edits Loy and Eliot; 3. Succession and Supersession, from Z to "A"; Part Two; 4. Poetic Projects of Countercultural Manhood; 5. Sex/Gender Contradictions in Olson and Boldereff; 6. Olson's "Long Exaggeration of Males"; 7. Wieners and Creeley after Olson; Notes; Bibliography; Index 330 $aWhat is patriarchal poetry? How can it be both attractive and tempting and yet be so hegemonic that it is invisible? How does it combine various mixes of masculinity, femininity, effeminacy, and eroticism? At once passionate and dispassionate, Rachel Blau DuPlessis meticulously outlines key moments of choice and debate about masculinity among writers as disparate as Ezra Pound, T. S. Eliot, Louis Zukofsky, Charles Olson, Robert Creeley, and Allen Ginsberg, choices that construct consequential models for institutions of poetic practice. As DuPlessis writes, 410 0$aContemporary North American poetry series. 606 $aAmerican poetry$y20th century$xHistory and criticism 606 $aGender identity in literature 606 $aLiterature and society$zUnited States$xHistory$y20th century 606 $aMasculinity in literature 606 $aPatriarchy in literature 615 0$aAmerican poetry$xHistory and criticism. 615 0$aGender identity in literature. 615 0$aLiterature and society$xHistory 615 0$aMasculinity in literature. 615 0$aPatriarchy in literature. 676 $a811/.509353 700 $aDuPlessis$b Rachel Blau$0605080 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910788384703321 996 $aPurple passages$93839559 997 $aUNINA