LEADER 04166nam 22008415 450 001 9910455157203321 005 20210108040810.0 010 $a1-282-23943-0 010 $a9786612239434 010 $a0-226-07811-6 024 7 $a10.7208/9780226078113 035 $a(CKB)1000000000773719 035 $a(EBL)448531 035 $a(OCoLC)434608400 035 $a(SSID)ssj0000195357 035 $a(PQKBManifestationID)11180383 035 $a(PQKBTitleCode)TC0000195357 035 $a(PQKBWorkID)10242075 035 $a(PQKB)10012794 035 $a(DE-B1597)523206 035 $a(OCoLC)1109328572 035 $a(DE-B1597)9780226078113 035 $a(MiAaPQ)EBC448531 035 $a(EXLCZ)991000000000773719 100 $a20200424h20092008 fg 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMagic Flutes and Enchanted Forests $eThe Supernatural in Eighteenth-Century Musical Theater /$fDavid J. Buch 210 1$aChicago : $cUniversity of Chicago Press, $d[2009] 210 4$d©2008 215 $a1 online resource (483 p.) 300 $aDescription based upon print version of record. 311 $a0-226-07809-4 327 $tFrontmatter -- $tContents -- $tIllustrations -- $tPreface -- $tAbbreviations -- $tINTRODUCTION. Precedents & Sources of Magic & the "Marvelous" -- $t1. L'Académie Royale de Musique -- $t2. Opéra-comique -- $t3. Italian Serious Genres -- $t4. Italian Comic Genres -- $t5. German Musical Theater -- $t6. The Supernatural in the Operas of Mozart -- $tPOSTSCRIPT. The Significance & Influence of Supernatural Topics -- $tAPPENDIX A. Chronological List of Operas, Ballets, Comédies, Féeries, Pantomimes & Other Plays with Magic & Supernatural Content, 1699-1791 -- $tAPPENDIX B. Selected Italian Circe, Medea & Orpheus Operas, 1700-1791 -- $tAPPENDIX C. Operas Based on Ariosto & Tasso, 1700-1791 -- $tAPPENDIX D. Some Eighteenth-Century Italian Don Juan Settings -- $tAPPENDIX E. Chronological List of German Theatrical Works with Magic & Supernatural Content, 1728-92 -- $tBibliography -- $tIndex 330 $aDrawing on hundreds of operas, singspiels, ballets, and plays with supernatural themes, Magic Flutes and Enchanted Forests argues that the tension between fantasy and Enlightenment-era rationality shaped some of the most important works of eighteenth-century musical theater and profoundly influenced how audiences and critics responded to them. David J. Buch reveals that despite-and perhaps even because of-their fundamental irrationality, fantastic and exotic themes acquired extraordinary force and popularity during the period, pervading theatrical works with music in the French, German, and It 606 $aMozart, Wolfgang Amadeus, 1756-1791 606 $aMusic and magic 606 $aMusical theater - Europe - History - 18th century 606 $aMusical theater 606 $aSupernatural in musical theater 606 $aZauberflo ?te 606 $aMusical theater$xHistory$y18th century$zEurope 606 $aSupernatural in musical theater 606 $aMusic and magic 606 $aMusic History & Criticism, Vocal$2HILCC 606 $aMusic$2HILCC 606 $aMusic, Dance, Drama & Film$2HILCC 608 $aElectronic books. 615 4$aMozart, Wolfgang Amadeus, 1756-1791. 615 4$aMusic and magic. 615 4$aMusical theater - Europe - History - 18th century. 615 4$aMusical theater. 615 4$aSupernatural in musical theater. 615 4$aZauberflo ?te. 615 0$aMusical theater$xHistory 615 0$aSupernatural in musical theater 615 0$aMusic and magic 615 7$aMusic History & Criticism, Vocal 615 7$aMusic 615 7$aMusic, Dance, Drama & Film 676 $a782.109/033 676 $a782.109033 686 $aLR 54171$2rvk 700 $aBuch$b David J., $4aut$4http://id.loc.gov/vocabulary/relators/aut$0972806 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910455157203321 996 $aMagic Flutes and Enchanted Forests$92212889 997 $aUNINA