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100   $a20090219d2009      uy             0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe independent filmmaker's law and business guide$b[electronic resource] $efinancing, shooting, and distributing independent and digital films /$fJon M. Garon
205   $a2nd ed.
210   $aChicago, IL $cChicago Review Press$d2009
215   $a1 online resource (465 p.)
300   $aDescription based upon print version of record.
311   $a1-306-03507-4 
311   $a1-55652-833-7 
320   $aIncludes bibliographical references.
327   $aFront Cover; Copyright; Table of Contents; Preface; Acknowledgments; Introduction; About This Book; A Chronology: From Idea to Academy Awards; PART 1 MAKING A FILM COMPANY TO MAKE A MOVIE; 1. Preparing to Make a Film; 2. The Film Company; 3. Duties of the Film Company; 4. The Property of the Film Company: The Film Concept; 5. Contracts; 6. Financing the Film Project; 7. Budgeting; 8. The Investors' Package; PART 2 FILMING THE MOVIE: PREPRODUCTION AND PRODUCTION; 9. Assembling the Production Team; 10. The Key Members of the Independent Film Company; 11. Equipment and Locations
327   $a12. Shooting the Film 13. Special Considerations for Documentaries and Films Based on True Life Stories; 14. Music; 15. Postproduction; 16. Special Considerations for the No-Budget Production; PART 3 Selling the Movie: Distribution and Marketing; 17. Theatrical Distribution; 18. Nontheatrical Commercial Distribution; 19. Self-Distribution and Self-Promotion; PART 4 Appendixes; A. Form at for the Feature Screenplay; B. Library of Congress Copyright Circulars; C. Sample Agreements; D. WGA Writing Credit Definitions; E. Best Practice Guide for Fair Use in Documentaries; F. Resource Listings
327   $aSelected Bibliography End notes; About the Author
330   $aPreparing independent or guerrilla filmmakers for the legal, financial, and organizational questions that can doom a project if unanswered, this guide demystifies issues such as developing a concept, founding a film company, obtaining financing, securing locations, casting, shooting, granting screen credits, distributing, exhibiting, and marketing a film. Updated to include digital marketing and distribution strategies through YouTube or webisodes, it also anticipates the ""problems"" generated by a blockbuster hit: sound tracks, merchandizing
606   $aMotion picture industry$zUnited States$xFinance
606   $aMotion pictures$zUnited States$xDistribution
606   $aMotion picture industry$xFinance$xLaw and legislation$zUnited States
606   $aMotion pictures$xDistribution$xLaw and legislation$zUnited States
606   $aMotion picture industry$xLaw and legislation$zUnited States
606   $aIndependent filmmakers
608   $aElectronic books.
615  0$aMotion picture industry$xFinance.
615  0$aMotion pictures$xDistribution.
615  0$aMotion picture industry$xFinance$xLaw and legislation
615  0$aMotion pictures$xDistribution$xLaw and legislation
615  0$aMotion picture industry$xLaw and legislation
615  0$aIndependent filmmakers.
676   $a384/.830973
676   $a791.430233
700   $aGaron$b Jon M$01027344
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910455093803321
996   $aThe independent filmmaker's law and business guide$92442710
997   $aUNINA