LEADER 04161nam 2200709Ia 450 001 9910455093803321 005 20200520144314.0 010 $a1-56976-395-X 035 $a(CKB)1000000000822451 035 $a(EBL)473737 035 $a(OCoLC)647830664 035 $a(SSID)ssj0000338983 035 $a(PQKBManifestationID)11234122 035 $a(PQKBTitleCode)TC0000338983 035 $a(PQKBWorkID)10298913 035 $a(PQKB)10493417 035 $a(MiAaPQ)EBC473737 035 $a(Au-PeEL)EBL473737 035 $a(CaPaEBR)ebr10354812 035 $a(CaONFJC)MIL534758 035 $a(EXLCZ)991000000000822451 100 $a20090219d2009 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe independent filmmaker's law and business guide$b[electronic resource] $efinancing, shooting, and distributing independent and digital films /$fJon M. Garon 205 $a2nd ed. 210 $aChicago, IL $cChicago Review Press$d2009 215 $a1 online resource (465 p.) 300 $aDescription based upon print version of record. 311 $a1-306-03507-4 311 $a1-55652-833-7 320 $aIncludes bibliographical references. 327 $aFront Cover; Copyright; Table of Contents; Preface; Acknowledgments; Introduction; About This Book; A Chronology: From Idea to Academy Awards; PART 1 MAKING A FILM COMPANY TO MAKE A MOVIE; 1. Preparing to Make a Film; 2. The Film Company; 3. Duties of the Film Company; 4. The Property of the Film Company: The Film Concept; 5. Contracts; 6. Financing the Film Project; 7. Budgeting; 8. The Investors' Package; PART 2 FILMING THE MOVIE: PREPRODUCTION AND PRODUCTION; 9. Assembling the Production Team; 10. The Key Members of the Independent Film Company; 11. Equipment and Locations 327 $a12. Shooting the Film 13. Special Considerations for Documentaries and Films Based on True Life Stories; 14. Music; 15. Postproduction; 16. Special Considerations for the No-Budget Production; PART 3 Selling the Movie: Distribution and Marketing; 17. Theatrical Distribution; 18. Nontheatrical Commercial Distribution; 19. Self-Distribution and Self-Promotion; PART 4 Appendixes; A. Form at for the Feature Screenplay; B. Library of Congress Copyright Circulars; C. Sample Agreements; D. WGA Writing Credit Definitions; E. Best Practice Guide for Fair Use in Documentaries; F. Resource Listings 327 $aSelected Bibliography End notes; About the Author 330 $aPreparing independent or guerrilla filmmakers for the legal, financial, and organizational questions that can doom a project if unanswered, this guide demystifies issues such as developing a concept, founding a film company, obtaining financing, securing locations, casting, shooting, granting screen credits, distributing, exhibiting, and marketing a film. Updated to include digital marketing and distribution strategies through YouTube or webisodes, it also anticipates the ""problems"" generated by a blockbuster hit: sound tracks, merchandizing 606 $aMotion picture industry$zUnited States$xFinance 606 $aMotion pictures$zUnited States$xDistribution 606 $aMotion picture industry$xFinance$xLaw and legislation$zUnited States 606 $aMotion pictures$xDistribution$xLaw and legislation$zUnited States 606 $aMotion picture industry$xLaw and legislation$zUnited States 606 $aIndependent filmmakers 608 $aElectronic books. 615 0$aMotion picture industry$xFinance. 615 0$aMotion pictures$xDistribution. 615 0$aMotion picture industry$xFinance$xLaw and legislation 615 0$aMotion pictures$xDistribution$xLaw and legislation 615 0$aMotion picture industry$xLaw and legislation 615 0$aIndependent filmmakers. 676 $a384/.830973 676 $a791.430233 700 $aGaron$b Jon M$01027344 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910455093803321 996 $aThe independent filmmaker's law and business guide$92442710 997 $aUNINA LEADER 01153cam a2200289 i 4500 001 991003167509707536 008 040714s2002 it b 001 0 ita d 010 $a2002499830 020 $a883482282X 035 $ab13034030-39ule_inst 040 $aDip.to Studi Giuridici$bita 082 $a342.450852 100 1 $aCardia, Carlo$0142072 245 10$aPrincipi di diritto ecclesiastico :$btradizione europea, legislazione italiana :$btradizione europea legislazione italiana /$cCarlo Cardia 260 $aTorino :$bG. Giappichelli,$cc2002 300 $avii, 361 p. ;$c24 cm 504 $aInclude riferimenti bibliografici (p. [339]-345) e indice 650 4$aDiritto ecclesiastico$zItalia 650 4$aDiritto ecclesiastico$zEuropa 650 4$aChiesa e Stato$xStoria 650 4$aDiritto ecclesiastico$xStoria 907 $a.b13034030$b18-03-10$c14-07-04 912 $a991003167509707536 945 $aLE027 342.45 CAR05.01$g1$i2027000062089$lle027$o-$pE27.00$q-$rl$s- $t0$u16$v1$w16$x0$y.i13651201$z14-07-04 996 $aPrincipi di diritto ecclesiastico$9247822 997 $aUNISALENTO 998 $ale027$b14-07-04$cm$da $e-$fita$git $h0$i0 LEADER 03546nam 2200553 450 001 9910815142003321 005 20230814215418.0 010 $a1-5017-0937-2 024 7 $a10.7591/9781501709371 035 $a(CKB)4340000000255949 035 $a(OCoLC)992438021 035 $a(MdBmJHUP)muse65776 035 $a(DLC) 2017031400 035 $a(MiAaPQ)EBC4982968 035 $a(DE-B1597)496574 035 $a(DE-B1597)9781501709371 035 $a(Au-PeEL)EBL4982968 035 $a(CaPaEBR)ebr11524681 035 $a(EXLCZ)994340000000255949 100 $a20170609d2018 uy| 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe control agenda $ea history of the Strategic Arms Limitation Talks /$fMatthew J. Ambrose 210 1$aIthaca :$cCornell University Press,$d2018. 215 $a1 online resource 311 $a1-5017-1201-2 311 $a1-5017-1374-4 320 $aIncludes bibliographical references and index. 327 $aIntroduction : the promise of control -- Arms control : context and precedents -- Negotiation : a new dimension in strategic competition -- Aftermath and adaptation : the origins of SALT II -- "In good faith" : Carter's gambit -- "Thinking out loud" : the struggle with sprawl -- "Summary--bleak" : the unraveling of detente -- INF : the last gasp of SALT -- Conclusion : the consequences of control. 330 $aThe Control Agenda is a sweeping account of the history of the Strategic Arms Limitation Talks (SALT), their rise in the Nixon and Ford administrations, their downfall under President Carter, and their powerful legacies in the Reagan years and beyond.Matthew Ambrose pays close attention to the interplay of diplomacy, domestic politics, and technology, and finds that the SALT process was a key point of reference for arguments regarding all forms of Cold War decision making. Ambrose argues elite U.S. decision makers used SALT to better manage their restive domestic populations and to exert greater control over the shape, structure, and direction of their nuclear arsenals.Ambrose also asserts that prolonged engagement with arms control issues introduced dynamic effects into nuclear policy. Arms control considerations came to influence most areas of defense decision making, while the measure of stability SALT provided allowed the examination of new and potentially dangerous nuclear doctrines. The Control Agenda makes clear that verification and compliance concerns by the United States prompted continuous reassessments of Soviet capabilities and intentions; assessments that later undergirded key U.S. policy changes toward the Soviet Union. Through SALT's many twists and turns, accusations and countercharges, secret backchannels and propaganda campaigns the specter of nuclear conflict loomed large. 606 $aNuclear arms control$zUnited States$xHistory 606 $aNuclear arms control$zSoviet Union$xHistory 607 $aUnited States$xForeign relations$zSoviet Union 607 $aSoviet Union$xForeign relations$zUnited States 610 $anuclear, Cold War, SALT, INF, arms control. 615 0$aNuclear arms control$xHistory. 615 0$aNuclear arms control$xHistory. 676 $a327.1/747 700 $aAmbrose$b Matthew J.$01601940 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910815142003321 996 $aThe control agenda$93925745 997 $aUNINA