LEADER 04315nam 2200697 a 450 001 9910455080503321 005 20200520144314.0 010 $a1-282-40014-2 010 $a9786612400148 010 $a90-474-2432-8 024 7 $a10.1163/ej.9789004171015.i-319 035 $a(CKB)1000000000821771 035 $a(EBL)467997 035 $a(OCoLC)567563010 035 $a(SSID)ssj0000334705 035 $a(PQKBManifestationID)11254745 035 $a(PQKBTitleCode)TC0000334705 035 $a(PQKBWorkID)10260312 035 $a(PQKB)11007149 035 $a(MiAaPQ)EBC467997 035 $a(OCoLC)231588813$z(OCoLC)243822414 035 $a(nllekb)BRILL9789047424321 035 $a(PPN)184919371 035 $a(Au-PeEL)EBL467997 035 $a(CaPaEBR)ebr10363777 035 $a(CaONFJC)MIL240014 035 $a(EXLCZ)991000000000821771 100 $a20080729d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAnimals as disguised symbols in Renaissance art$b[electronic resource] /$fby Simona Cohen 210 $aLeiden ;$aBoston $cBrill$d2008 215 $a1 online resource (359 p.) 225 1 $aBrill's studies in intellectual history,$x0920-8607 ;$vv. 169.$aBrill's studies on art, art history, and intellectual history ;$vv. 2 300 $aDescription based upon print version of record. 311 $a90-04-17101-0 320 $aIncludes bibliographical references (p. [297]-303) and index. 327 $tPreliminary Material /$rS. Cohen -- $tChapter One. Medieval Sources Of Renaissance Animal Symbolism /$rS. Cohen -- $tChapter Two. Renaissance Naturalists And Animal Symbolism: Fact And Fantasy /$rS. Cohen -- $tChapter Three. Emblematic Literature And Related Sources /$rS. Cohen -- $tChapter Four. The Birds And Animals Of Carpaccio?S Miles Christianus /$rS. Cohen -- $tChapter Five. The Enigma Of Carpaccios Venetian Ladies /$rS. Cohen -- $tChapter Six. Animals In The Paintings Of Titian: A Key To Hidden Meanings /$rS. Cohen -- $tChapter Seven. Titian?S London Allegory And The Three Beasts Of His Selva Oscura /$rS. Cohen -- $tChapter Eight. Animal Heads And Hybrid Creatures: The Case Of The San Lorenzo Lavabo And Its Sources /$rS. Cohen -- $tChapter Nine. Andrea Del Sarto?S Madonna Of The Harpies And The Human-Animal Hybrid In The Renaissance /$rS. Cohen -- $tChapter Ten. The Ambivalent Scorpio In Bronzinos London Allegory /$rS. Cohen -- $tEpilogue /$rS. Cohen -- $tSelect Bibliography /$rS. Cohen -- $tIndex /$rS. Cohen. 330 $aThe relationship between medieval animal symbolism and the iconography of animals in the Renaissance has scarcely been studied. Filling a gap in this significant field of Renaissance culture, in general, and its art, in particular, this book demonstrates the continuity and tenacity of medieval animal interpretations and symbolism, disguised under the veil of genre, religious or mythological narrative and scientific naturalism. An extensive introduction, dealing with relevant medieval and early Renaissance sources, is followed by a series of case studies that illustrate ways in which Renaissance artists revived conventional animal imagery in unprecedented contexts, investing them with new meanings, on a social, political, ethical, religious or psychological level, often by applying exegetical methodology in creating multiple semantic and iconographic levels. Brill's Studies on Art, Art History, and Intellectual History , volume 2 410 0$aBrill's studies in intellectual history ;$vv. 169. 410 0$aBrill's studies in intellectual history.$pBrill's studies on art, art history, and intellectual history ;$vv. 2. 606 $aAnimals in art 606 $aAnimals$xSymbolic aspects$zEurope 606 $aArt, Renaissance$xThemes, motives 608 $aElectronic books. 615 0$aAnimals in art. 615 0$aAnimals$xSymbolic aspects 615 0$aArt, Renaissance$xThemes, motives. 676 $a704.9/43209409024 676 $a700.462 700 $aCohen$b Simona$0903648 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910455080503321 996 $aAnimals as disguised symbols in Renaissance art$92186123 997 $aUNINA