LEADER 00846nam0-22003011i-450- 001 990004461920403321 005 20160831110555.0 035 $a000446192 035 $aFED01000446192 035 $a(Aleph)000446192FED01 035 $a000446192 100 $a19990604d1938----km-y0itay50------ba 101 0 $afre 102 $aFR 105 $ay-------001yy 200 1 $aEsthetique$fexposes publies sous la direction de Pius Servien 210 $aParis$cHermann and C.ie$d1938 215 $av.$d20 cm 225 1 $aActualités scientifiques et industrielles$v592 327 0 $a1.: Le langage des sciences 700 1$aServien,$bPius$0102423 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990004461920403321 952 $a5/ VI C 19$bbibl.15964$fFLFBC 959 $aFLFBC 996 $aEsthetique$9545407 997 $aUNINA LEADER 04132nam 22006612 450 001 9910455077003321 005 20151005020621.0 010 $a0-511-69979-4 010 $a1-107-18826-1 010 $a0-511-80420-2 010 $a0-511-63269-X 010 $a0-511-65184-8 010 $a0-511-63148-0 010 $a0-511-63389-0 035 $a(CKB)1000000000804253 035 $a(EBL)461135 035 $a(OCoLC)609845728 035 $a(SSID)ssj0000336077 035 $a(PQKBManifestationID)11233715 035 $a(PQKBTitleCode)TC0000336077 035 $a(PQKBWorkID)10277587 035 $a(PQKB)11163029 035 $a(UkCbUP)CR9780511804205 035 $a(MiAaPQ)EBC461135 035 $a(Au-PeEL)EBL461135 035 $a(CaPaEBR)ebr10348670 035 $a(CaONFJC)MIL239380 035 $a(EXLCZ)991000000000804253 100 $a20101021d2009|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aConceptual revolutions in twentieth-century art /$fDavid W. Galenson$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2009. 215 $a1 online resource (xvi, 443 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-12909-5 311 $a0-521-11232-X 320 $aIncludes bibliographical references (p. 405-421) and index. 327 $aIntroduction: and now for something completely different -- The back story of twentieth-century art -- The greatest artists of the twentieth century -- The most important works of art of the twentieth century -- The greatest artistic breakthroughs of the twentieth century -- The greatest women artists of the twentieth century -- Creating new genres : conceptual artists at work and play in the twentieth century -- And now for something completely different : the versatility of conceptual innovators -- You cannot be serious : the conceptual innovator as trickster -- Painting by proxy : the conceptual artist as manufacturer -- Co-authoring advanced art -- Language in visual art -- Portraits of the artist : personal visual art in the twentieth century -- The rise and (partial) fall of abstract painting in the twentieth century -- The globalization of advanced art in the twentieth century -- Artists and the market : from Leonardo and Titian to Warhol and Hirst -- The state of advanced art : the late twentieth century and beyond. 330 $aFrom Picasso's Cubism and Duchamp's readymades to Warhol's silkscreens and Smithson's earthworks, the art of the twentieth century broke completely with earlier artistic traditions. A basic change in the market for advanced art produced a heightened demand for innovation, and young conceptual innovators - from Picasso and Duchamp to Rauschenberg and Warhol to Cindy Sherman and Damien Hirst - responded not only by creating dozens of new forms of art, but also by behaving in ways that would have been incomprehensible to their predecessors. Conceptual Revolutions in Twentieth-Century Art presents the first systematic analysis of the reasons for this discontinuity. David W. Galenson, whose earlier research has changed our understanding of creativity, combines social scientific methods with qualitative analysis to produce a fundamentally new interpretation of modern art that will give readers a far deeper appreciation of the art of the past century, and of today, than is available elsewhere. 606 $aArt, Modern$y20th century 606 $aArt and society$xHistory$y20th century 606 $aCreation (Literary, artistic, etc.) 615 0$aArt, Modern 615 0$aArt and society$xHistory 615 0$aCreation (Literary, artistic, etc.) 676 $a709.04 700 $aGalenson$b David W.$0133463 712 02$aNational Bureau of Economic Research, 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910455077003321 996 $aConceptual revolutions in twentieth-century art$92483619 997 $aUNINA LEADER 01304oam 22004214a 450 001 9910162836803321 005 20180817105055.0 010 $a1-4529-5348-1 035 $a(CKB)3710000001044567 035 $a(MiAaPQ)EBC4745535 035 $a(OCoLC)971119224 035 $a(MdBmJHUP)muse56604 035 $a(EXLCZ)993710000001044567 100 $a20160617d2017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aPhilosophy after Friendship$b[electronic resource] $eDeleuze?s Conceptual Personae /$fGregg Lambert 210 1$aMinneapolis, Minnesota ;$aLondon, England :$cUniversity of Minnesota Press,$d2017. 210 4$d©2017 215 $a1 online resource (198 pages) 311 $a1-5179-0100-6 320 $aIncludes bibliographical references and index. 606 $aPhilosophy, Modern$y20th century 606 $aFriendship$xPhilosophy 608 $aElectronic books. 615 0$aPhilosophy, Modern 615 0$aFriendship$xPhilosophy. 676 $a194 700 $aLambert$b Gregg$f1961-$01103617 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910162836803321 996 $aPhilosophy after Friendship$92893735 997 $aUNINA